A story about an ugly situation that explodes into beauty through cunning and resilience.

FIRE COLOR ONE

In any family, not everything is as it seems, but in Iris' family, this is a big problem.

When white, 16-year-old Iris meets her father for the first time, he is dying. That doesn't stop her from feeling ambivalent. She has no memories of him and has been told all her life by her mother that he left 12 years ago because he wasn't interested in being a dad. She doesn't even want to meet him, but her mother insists because of the potential for a valuable inheritance. Iris has had no experience with positive parenting role models. Her mother and stepfather are usually drunk, broke, or trying desperately to get the big break they refuse to admit isn't coming. Iris' best friend, Thurston, left home long ago, so no parents there. When her dad and his story turn out to be completely different from what she’s been told, it's both confusing and amazing. But how much love can they manage in the time he has left? Valentine writes about family dysfunction, arson, and art with equal levels of beauty and lyricism, creating a vivid landscape of heartache and redemption. The plot dips forward and backward in time with clarity and precision, managing to avoid tripping even in narrative tight corners.

A story about an ugly situation that explodes into beauty through cunning and resilience. (Fiction. 13-17)

Pub Date: Jan. 31, 2017

ISBN: 978-0-399-54692-1

Page Count: 240

Publisher: Philomel

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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A satisfying if slightly lesser sequel. (Romance. 13-17)

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  • Asian/Pacific American Award for Literature Winner

P.S. I STILL LOVE YOU

From the To All the Boys I've Loved Before series , Vol. 2

Lara Jean's romantic entanglements complicate themselves further.

In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.

A satisfying if slightly lesser sequel. (Romance. 13-17)

Pub Date: May 26, 2015

ISBN: 978-1-4424-2673-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: July 4, 2015

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Mouths have never run so dry at the idea of thirst.

DRY

When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.

When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.

Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4814-8196-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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