BIG JABE

Nolen (In My Momma's Kitchen, 1999) rears up a new tall-tale hero, with the strength of 50 and a hidden agenda. The lad, who floats down the river and into the arms of Simon Plenty’s house slave, Addy, shows early signs of unusual ability, calling fish out of the water until Addy’s wagon is piled high. By that June, young Jabe is a full-grown man, capable of mending ten miles of fence between midday and sundown. Like the pear tree he plants, which grows to full size in one season “with the North Star shining through its branches,” all of the crops on the plantation come in with unprecedented abundance that year. Only the overseer is displeased—even more so when each slave who feels his displeasure disappears with his family in the wake of a strange storm that wipes out any sign of a trail. Addy whispers that Jabe is “taking them to the pear tree,” which is to say pointing them North to freedom. Nelson (Brothers of the Knight, not reviewed) takes Jabe from a rawboned child with an engaging grin to brawny adulthood, placing him into historical scenes that rival Trina Schart Hyman's for fine detail and strongly drawn, expressive figures. In the end, Jabe leaves as suddenly as he came, and is last seen striding away, towering over the trees. Like Virginia Hamilton's Drylongso (1999) and unlike John Henry, Big Jabe seems not just larger than life, but a force of nature, subtle, secret, untouchable—and that undercurrent of mystery gives his story a mythic power. (Picture book. 7-10)

Pub Date: April 30, 2000

ISBN: 0-688-13662-1

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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