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GAY BAR

WHY WE WENT OUT

A vibrant and wistful report on a bygone era in gay culture.

A writer’s intimate trans-Atlantic history of gay bars.

In his first book, Lin examines queer history through the lens of what he sees as a vanishing institution: the gay bar, which, in recent years, has been “under threat not so much by police, but a juncture of economic factors like unchecked prop­erty speculation and an upsurge in stay-at-home gays.” With raw, voyeuristically explicit detail, the author escorts readers through the crowded, smoky gay bars of London before turning to erotic adventures in California, where he came of age in the early 1990s. Lin chronicles his experiences with his husband, “Famous,” and their barhopping days cruising together for sex, but there’s a lot more here than just sex in dark corners. Lin vividly describes the evolution of gay hot spots in London, including details on a two-mile viaduct channeling through the city, which has housed “raunchy clubs” and even “a small theater [that put] on gay plays.” He also looks at the ever evolving nature of queer life in San Francisco and vividly recalls his memorable early experiences there. “The streets,” he writes, “were like advent calendars: I wanted to open each door and reveal a bisexual hippie, leather daddy, elegant transvestite, friendly bull dyke wielding tat­too gun, sleazy yogi, stoned poet, skateboarder too lazy to resist my advances. I wanted to eat it all up.” Lin grounds his randy travels with sobering ruminations on the deleterious effects of lingering prejudice, gentrification, cultural assimilation, and homonormativity. Though the narrative occasionally darts around too frenetically—it would have benefitted from a tighter organizational structure—the author remains locked in on his subject, creating a consistently engrossing story. As last call descends on many iconic gay bars, Lin’s unfettered reminiscence and sharp wit will resonate especially with older readers, who will enjoy the sweet nostalgia embedded in this entertaining history. “Gay bars are not about arriving,” he writes. “The best ones were always a departure.”

A vibrant and wistful report on a bygone era in gay culture.

Pub Date: Feb. 9, 2021

ISBN: 978-0-316-45873-3

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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WHO KNEW

MY STORY

Highly instructive for would-be tycoons, with plenty of entertaining interludes.

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Well-crafted memoir by the noted media mogul.

Diller’s home life as a youngster was anything but happy; as he writes early on, “The household I grew up in was perfectly dysfunctional.” His mother lived in her own world, his father was knee-deep in business deals, his brother was a heroin addict, and he tried to play by all the rules in order to allay “my fear of the consequences from my incipient homosexuality.” Somehow he fell into the orbit of show business figures like Lew Wasserman (“I was once arrested for joy-riding in Mrs. Wasserman’s Bentley”) and decided that Hollywood offered the right kind of escape. Starting in the proverbial mailroom, he worked his way up to be a junior talent agent, then scrambled up the ladder to become a high-up executive at ABC, head of Paramount and Fox, and an internet pioneer who invested in Match.com and took over a revitalized Ticketmaster. None of that ascent was easy, and Diller documents several key failures along the way, including boardroom betrayals (“What a monumental dope I’d been. They’d taken over the company—in a merger I’d created—with venality and duplicity”) and strategic missteps. It’s no news that the corporate world is rife with misbehavior, but the better part of Diller’s book is his dish on the players: He meets Jack Nicholson at the William Morris Agency, “wandering through the halls, looking for anyone who’d pay attention to him”; hangs out with Warren Beatty, ever on the make; mispronounces Barbra Streisand’s name (“her glare at me as she walked out would have fried a fish”); learns a remedy for prostatitis from Katharine Hepburn (“My father was an expert urological surgeon, and I know what I’m doing”); and much more in one of the better show-biz memoirs to appear in recent years.

Highly instructive for would-be tycoons, with plenty of entertaining interludes.

Pub Date: May 20, 2025

ISBN: 9780593317877

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 12, 2025

Kirkus Reviews Issue: June 15, 2025

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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