Serious hip-hop history that could use more analysis.
A study of the conscious rap movement and its influence on stars J. Cole and Kendrick Lamar.
For many fans, the consensus “big three” rappers are J. Cole, Kendrick Lamar, and Drake, distinct artists from different backgrounds and with a history of collaboration. And, more infamously, feuding: Beef entangling all three consumed much of 2024, culminating in Lamar’s savage Drake diss track, “Not Like Us,” which won him a Song of the Year Grammy and brought him to the Super Bowl halftime stage. But that spectacle is part of a complex, much longer story about hip-hop’s ongoing engagement with social-justice themes. McCool, a professor at West Chester University, and Hopkins, an arts journalist, begin their story with hip-hop landmarks like “The Message” and exploring how the genre’s commercial growth in the 1990s both bolstered and complicated conscious rap—N.W.A and Tupac Shakur, for instance, could at once deliver potent criticism of racist policing while perpetuating misogynistic stereotypes. Cole, a native of North Carolina, broke through in the 2010s by delivering raps that openly addressed socioeconomic challenges in Black communities; raised in Compton, California, Lamar touched on similar issues in more personal ways, while songs like “Alright” were embraced as empowerment anthems within the Black Lives Matter movement. McCool and Hopkins lean heavily on biographical background on the genre in general and the two MCs in particular and too often decline into platitudes. (“With their combined releases, Kendrick and Cole have reached unparalleled heights.”) The book is at its strongest when discussing the “Not Like Us” contretemps, which to them represents not just a beef but a pivotal cultural moment that divided hip-hop fandom. A stronger book might more directly address the stakes of that split.
Serious hip-hop history that could use more analysis.Pub Date: May 14, 2026
ISBN: 9798881801250
Page Count: 232
Publisher: Bloomsbury Academic
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
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