A dense, rewarding sequel with a strong emotional core.
A mother protecting her newborn daughter is at the center of Clift’s expansive SF sequel.
The installment opens in 2102 Lagos, Nigeria, where protesters are targeting the Network for Indigenous Plants, Agriculture, and Horticulture complex. West Africa’s sole seed distributor, NIPAH, shrouded in secrecy, isn’t owned by locals, but by top government officials and powerful oligarchs. This opening storyline offers a glimpse into the book’s near-future world, which is dependent on the genetic modification of plants. In Iowa, Shiko Tanaka, born in a rotating space habitat and sent to Earth for his first job with GLOSCOM, an agricultural science company, soon learns his employer’s practices contribute to “environmental degradation, loss of biodiversity, and socioeconomic inequalities in access to nutritious food.” Shiko starts investigating GLOSCOM’s possibly nefarious interest in planet Earth, which leads him to Lagos and NIPAH. Meanwhile, far above Earth, the Tritans, a High Council of aliens on a spaceship whose home planet is dying, must revive their planet or move to another one. They send out probes for suitable new homelands and find Earth promising. After all, the blue planet’s levels of pollution mean it will soon be uninhabitable for humans, but the land is still productive despite its many barren patches. The Tritans might also steal seeds from the seed vault, whose bioengineered plants may help restore their ailing planet. Teagan Ward, the lead, doesn’t appear until later in novel, when she’s giving birth to her baby, Diana, in California. The genetic modifications Teagan underwent in lunar prison also prepared her body for Diana, “a species designed for survival beyond Earth” with “enhanced cognitive processing, superior cellular regeneration, and resistance to radiation and extreme conditions.” From there, the disparate story lines quickly converge as Clift ramps up the action, showcasing his deftness at building suspense: “The sound grew louder, like the steady hum of machinery, blending with the rustle of the grove’s leaves. It was almost hypnotic, yet unnerving.” If the story’s scope and large cast occasionally overwhelm readers, mesmerizing worldbuilding and Teagan’s likability keep it from spinning out of control.
A dense, rewarding sequel with a strong emotional core.Pub Date: June 19, 2025
ISBN: 9798990010758
Page Count: 374
Publisher: N/A
Review Posted Online: Aug. 15, 2025
Review Program: Kirkus Indie
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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