A wide-ranging and insightful cultural analysis.
An erudite survey of the evolution and distinctiveness of Jewish humor.
Dauber (Yiddish Language, Literature, and Culture/Columbia Univ.; The Worlds of Sholem Aleichem: The Remarkable Life and Afterlife of the Man Who Created Tevye, 2013, etc.) offers a thorough, authoritative examination of Jewish comedy “in all its vast and variegated forms, from antiquity to yesterday,” which is the subject of a course he has taught for the last 15 years. Although sprinkled with jokes, the book is not a compendium but instead a history of Jewish culture, theology, and literature focused on the function of satire, irony, and wit in Jewish life. The author begins by locating humor in the Talmud, Torah, and Old Testament. The Bible, he admits, “is actually Not Funny.” Nevertheless, he finds much evidence of biblical wit, parody, and laughter, citing, for example, Esther, Solomon, and Job. He notes Sarah’s laughter when she is told that she will bear a son with her aged husband, Abraham. “Her laugh,” Dauber writes, “is a laugh of irony: Sarah knows the way the world works, and she’s mocking her foolish husband for his fantastic beliefs.” After Isaac (“whose name comes from the Hebrew word for laughing”) is born, Sarah’s response is not “comic laughter of superiority but a humbled grin.” Dauber discusses three main theories of comedy: incongruity theory (Sarah’s laughter is an example); relief theory, referring to jokes that relieve tension; and congruity theory, joy that “bespeaks divine harmony.” The author gleans insights from philosophers (Kierkegaard, Wittgenstein, Bakhtin), Freud, and many novelists (Bellow, Kafka, and Roth, to name a few). He analyzes Woody Allen’s “curmudgeonly neurotics” and the work of generations of comics, including Jack Benny, Danny Kaye, the Marx Brothers, Nichols and May, Mel Brooks, Gilda Radner, and Jerry Seinfeld. Male comics, he finds, “were happy to turn out stereotypical portraits” of Jews, while women invented a broader range of characters but still might include “the self-deprecating schlimazel” and the Jewish mother.
A wide-ranging and insightful cultural analysis.Pub Date: Oct. 31, 2017
ISBN: 978-0-393-24787-9
Page Count: 416
Publisher: Norton
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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