Invites imaginations to run wild with petrifying preternatural possibilities.
A short story collection framed by the tale of a boy who catches the wrong train.
In this British import, a boy runs to catch his train only to find that he’s gotten on the wrong one. In a panic, he gets off at the lonely first stop. While he waits for the return train, an old man and his dog join the boy, and the old man decides to keep the boy company and entertain him with stories. After the first horror story, the boy has had enough, but the man pushes forward with more, and the boy, stuck in the dark, has no choice but to listen. The eerie, atmospheric setup will likely deter those who do not enjoy horror, and should that fail, the twist at the end of the first story will, leaving the rest of the book for connoisseurs of the genre. The supernatural horrors range in subject matter (monsters, haunted cars, and a whole menagerie of dreamlike impossibilities) as well as in length, structure (single-scene vignettes and traditional stories), and back story (with many resolutions simply unexplainable but unpleasant—don’t expect any happy endings here). In between, the boy and the man talk—these launch pads for the stories get quite repetitive, but the framing device comes into play for one last twist. Physical and racial descriptors are generally absent.
Invites imaginations to run wild with petrifying preternatural possibilities. (Short stories/horror. 10-14)Pub Date: July 25, 2017
ISBN: 978-1-338-12125-4
Page Count: 224
Publisher: David Fickling/Scholastic
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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