A compilation of intense, penetrative character observations.
Dorfman’s collection of eight short stories explores themes of mental illness, familial rifts, and emotional uncertainty.
The book opens with “The Happiest Place,” about a family on vacation at a Florida theme park. An overenthusiastic father tries to orchestrate the greatest day of their lives, but it appears past traumas don’t disappear easily. “Rotini” is about a family meal, after which the parents plan to explain to their young daughter that they intend to divorce. The title story follows a man who strikes his spouse and then, consumed by depression, shame, and self-loathing, becomes obsessed with achieving a perfect bowling score. “The Porch” is about a lonely older man who develops an unexpected connection with a boy he catches playing a disgusting prank. The curious “What Do You Want Ferret?” introduces a man intent on buying a particular ferret to placate his partner only to encounter another man who beats him to it; the latter believes the animal houses the soul of his deceased father. The collection closes with “Beachgoers,” in which a couple have contrasting reactions to an encounter with a lost child. Dorfman’s writing excavates the complexities of relationships, from their mysterious beginnings to their often bitter endings. The story “Scar,” for instance, ponders how people know very little about each other when they first meet. Dorfman pinpoints this sense deftly in the space of a brief sentence: “She was an unknown entity, a thumbnail of a true human being.” Dorfman also effortlessly captures unexpected shifts of emotion by employing fresh, thought-provoking similes: “As she had many times before, she imagined him with their future children. The usual clear image was shaken, unsteady, like an old VHS tape that had degraded over time.” Compelling plotlines create veneers of normality that fall away to reveal underlying pain; the result is a dark collection that readers will likely want to finish in one sitting.
A compilation of intense, penetrative character observations.Pub Date: June 11, 2022
ISBN: 979-8985579109
Page Count: 118
Publisher: Self
Review Posted Online: Oct. 24, 2022
Kirkus Reviews Issue: Dec. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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