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THE LOOP

A wickedly entertaining but also grotesque teen nightmare that’s pretty much Stranger Things meets Rogue One.

Weirdness invades a small Oregon town as a government experiment gone wrong escapes containment.

Where to start with the pop-culture influences that erupt in this second novel by Johnson, author of the novel Skullcrack City (2015) and the story collection Entropy in Bloom (2017)? It opens with a Goonies/Super 8 vibe: There's a bunch of high school misfits led by Lucy, a Peruvian adoptee whose closest friend is “Bucket” Marwani, whose Pakistani heritage makes him another brown kid targeted for abuse by their classmates. The nightmarish scenario goes all Stephen King’s Cell when one of the kids’ classmates goes berserk and kills a teacher before perishing himself. In the meantime, we’re getting broadcasts from the Nightwatchman, a self-styled radio shock jock pulling the curtain back on the utter weirdness erupting in Turner Falls, Oregon, á la Welcome to Night Vale. When things really kick off, it looks like a modernization of the townies-versus–⁠rich-kids trope until the whole thing goes to hell and Lucy and her posse are just fighting for their lives. If you’re into this kind of thing, there are some carrots, like Lucy having her first kiss, which is kind of sweet, but as our heroes descend into the (inevitably) human-made nightmare, it gets pretty grotesque. Is there a secret laboratory? Check—in the supersecret IMTECH facility near our little village of idiots—making something that has gotten completely out of control. Lucy is a fierce protagonist, but from this point it evolves into a wetwork nightmare straight out of Chuck Wendig’s daydreams. There’s some prescient dark humor here, too: “Shoot, man. Maybe. That’s usually how it goes, right? But I don’t know about this situation. The whole city is on fire, man. I don’t think these guys are checking bank balances before they start murdering people. Could be the old rules, rich, poor, none of it means much anymore.”

A wickedly entertaining but also grotesque teen nightmare that’s pretty much Stranger Things meets Rogue One.

Pub Date: Sept. 29, 2020

ISBN: 978-1-5344-5429-3

Page Count: 320

Publisher: Saga/Simon & Schuster

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HIDDEN PICTURES

It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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