An irreverent novel—at turns both comic and febrile—that connects us to Dickinson’s longings and eccentricities.
Charyn (Johnny One-Eye, 2008, plus more than 40 other books) takes on Emily Dickinson’s private life—what was she doing all those years she was shut up in Amherst?
Well, for one thing, according to Charyn, throughout her life she was falling in love with a number of men who crossed her path. The recurring character who remains one of the great loves of Emily’s life is Tom the Handyman, part-time laborer and full-time rogue. We first meet him at the Mount Holyoke Female Seminary Emily attended in the 1840s. (Emily first becomes intrigued by an arrow-and-heart tattoo on Tom’s arm.) Throughout Emily’s life he resurfaces under various guises, and Emily never loses her infatuation, though at times she admits she might be more in love with the fantasy rather than with the reality of Tom. At the seminary Emily also meets Zilpah Marsh, who eventually becomes Tom’s lover (and his partner in crime) and winds up in an insane asylum in Northampton. Emily also becomes drawn into a force field created by the charismatic presence of Sue, married to Emily’s brother Austin. While her sentiments are perhaps not quite strong enough to be designated “love,” Emily definitely feels a strong attraction to Sue and finds Sue’s detachment and assertiveness irresistible. Late in her life, Emily becomes enamored with the widower Judge Otis Phillips Lord (whom she calls “Salem”), and he finds their gravitational pull both strong and mutual. He awakens Emily’s latent sexuality (“I could feel that sweet wolf gnaw its way back into my loins. I didn’t waver. I slowly slid onto my Salem’s lap, wanting him to dandle me again. I ought to have some privileges at fifty-one”). Finally, appearing sporadically but looming importantly in Emily’s life is her father, “Major” Edward Dickinson—patriarch, Congressman and Alpha male.
An irreverent novel—at turns both comic and febrile—that connects us to Dickinson’s longings and eccentricities.Pub Date: Feb. 22, 2010
ISBN: 978-0-393-06856-6
Page Count: 352
Publisher: Norton
Review Posted Online: Jan. 27, 2011
Kirkus Reviews Issue: Jan. 15, 2010
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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