by Jerome "Jay" Isip ‧ RELEASE DATE: Jan. 15, 2016
An ambitious recovery account that entertains but fails to focus on addiction or redemption.
A young mixed martial arts fighter shares his struggles in and out of the ring in this candid memoir.
Isip (10 Stacks to Success, 2014) fell in love with mixed martial arts when he was in junior high school in New Jersey. By 2001, he was a trained fighter and won his debut match. The training was brutal, and the emotional roller coaster of being a competitor often left Isip drained. But his commitment to the sport stemmed from another battle: his struggle with alcohol and drug abuse. As a teenager, Isip experimented with binge drinking, ecstasy, and other drugs, which never ended well. He and his friends invented something called Sexticy, an insane mixture of Cisco, Stacker pills, and Viagra. One particularly bad bender on Sexticy led to Isip’s brother intervening, but it was not enough of a wake-up call for the fighter. He then went to Miami and was arrested, an experience he shares in humiliating detail. Eventually, a dark depression settled over Isip, and a suicide attempt prompted him to reevaluate his life choices. The volume includes comic-book-like illustrations and photographs, enhancing the ease of the story. Set in a teenage New Jersey wasteland, Isip narrates scenes with fun dialogue, pop-culture references (his talk of pills includes an illustration of Jessie Spano’s meltdown on the TV series Saved by the Bell) and lots of Jackass-worthy action. But he mixes this narration with lectures on the effects of drugs and alcohol, including a condemnation of antidepressants that ignores the many people taking these pills who do not turn into addicts. His meditations on happiness, per the title, come too little too late. By far, the book’s best sections involve Isip as a fighter, describing the ego and arena of mixed martial arts with great passion. A straightforward narrative of drug addict to prize fighter would have made for a less manic memoir.
An ambitious recovery account that entertains but fails to focus on addiction or redemption.Pub Date: Jan. 15, 2016
ISBN: 978-1-68301-638-0
Page Count: 216
Publisher: Tate Publishing
Review Posted Online: Feb. 19, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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