A compulsively readable tale, despite its use of well-worn genre tropes.
In this post-apocalyptic YA series opener, a teen is determined to leave her restrictive underground community for the perilous world above.
The sun has rendered life on Earth’s surface unsuitable for humanity. Sixteen-year-old Eve Hamilton lives in Compound Eleven, a self-sustaining underground city with five levels. Now that she’s finished with school, she must choose a profession. However, as a Lower Mean (someone from the second level), her job options are menial and unfulfilling. Fortunately, she’s an excellent competitive fighter for the Blue Circuit in the Bowl, an arena where rules of honor are seldom followed. One day, Eve squares off against a Preeminate (or “Preme”), a young man from the fifth level where the Compound’s wealthy founders live. As he’s two years older and more experienced, he knocks her out handily—but then he sits by her bed in the nurse’s station, concerned. He reveals that his name is Wren, but Eve doesn’t care about his guilt over injuring her. She only wants to access the Oracle, a viewing station that peeks above ground. Once there, she plans to escape for good, as she wants nothing to do with the society that only allows one child per family—and doomed her infant brother, Jack. Debut author Chisholm remixes elements from other post-apocalyptic YA series, such as Suzanne Collins’ Hunger Games books, into a familiar but compelling new premise. The handsome, sympathetic Wren seems too good to be true at times, but he convincingly and pleasantly wins her over. Her narration, meanwhile, is often terse and tough, with lines such as “There is no job I will choose. In six weeks’ time, I will be gone.” The most incredible moments occur with the glassed-in Oracle; Eve’s first sight of a living tree, for example, is as uplifting as it is heartbreaking. Some characters, such as abusive boyfriends and bullies, feel standard for the genre, but effectively show that some aspects of humanity will sadly remain the same in the future. The tight narrative halts just where readers will expect, but the next volume leaves plenty to explore.
A compulsively readable tale, despite its use of well-worn genre tropes.Pub Date: Dec. 8, 2020
ISBN: 978-1-68281-501-4
Page Count: 384
Publisher: Entangled Teen
Review Posted Online: Nov. 25, 2020
Review Program: Kirkus Indie
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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