Such a literary flourish is an exception to the matter-of-fact approach that characterizes the narrative, where most of the...
An inspirational memoir by a writer who refuses to be defined by his paralysis, as he comes to terms with the unknown man who shot him.
As an intelligent, talented, athletic and slightly rebellious 13-year-old from what was then the ghetto of Manhattan’s Lower East Side, McGill experienced a tragedy in 1982 that would lead to epiphany. Walking home with a friend on New Year’s Day, he fell victim to a senseless, apparently motiveless gunshot from an unseen sniper. His initial recovery required six months in the hospital, where he learned to adjust to his new life as a quadriplegic, discovering the ways that he could take care of himself and the limits to what he could do. The incident would transform his life, in surprisingly positive ways as well as predictably negative ones, as he explains in this memoir addressed to the man who shot him, a man he will never know but to whom he forever feels linked. “Until I speak to you, I can never fully close this door,” he writes. “And I need that resolution. I think I’ve earned it.” He gives his shooter a name, a race and a plausibility that led him to this unfocused violence. But while he’s addressing the “Marcus” he has invented, he is also exorcising justifiable anger and offering his own life as an example of the rewards one can reap by accepting loss and learning the value of love. “I didn’t write this book for you, Marcus,” he writes. “My reasons for writing this are bigger than you or me, my friend. I wrote this book to release demons into the warm night air.”
Such a literary flourish is an exception to the matter-of-fact approach that characterizes the narrative, where most of the lessons learned are plainspoken, but also hard won.Pub Date: May 1, 2012
ISBN: 978-0-8129-9307-3
Page Count: 180
Publisher: Spiegel & Grau
Review Posted Online: Feb. 12, 2012
Kirkus Reviews Issue: March 1, 2012
BOOK REVIEW
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
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