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BUTTERFLY COUNTING

This welcome reworking of the author’s earlier Butterfly Counting Book (1998) and board book Butterfly Colors and Counting...

An unusual butterfly book introduces facts about the insects, portrays 24 different species, gives the word for “butterfly” in 27 languages other than English, and counts up from zero to 25.

While the numeration provides the organization, this is far more than a counting book. Beginning with the fact that there are no butterflies in Antarctica, the author goes on to surprise readers with a spread of 20 colorful moths, highlighting the confusing similarities between the two species, although not explaining their actual differences. Then the proper count begins, with each page presenting a different species, an interesting fact and a word for “butterfly” in another language, including Mandarin, Finnish, Navajo, Tagalog and sign. From one to 10, each species is also a different solid color; Nos. 11 through 19 are multicolored, and the 20th shows eggs. Then there’s a surprise: 21 different caterpillars. To finish, there are chrysalises and more butterflies. The counting, particularly in the larger groups, takes enough effort to make this interesting to the likely audience. The facts feel arbitrarily presented but they are accurate, and the illustrations, done with colored pencil and digitally manipulated, are colorful and true-to-life. Sadly, there’s no index.

This welcome reworking of the author’s earlier Butterfly Counting Book (1998) and board book Butterfly Colors and Counting (2013) offers learning opportunities galore. (Informational picture book. 4-7)

Pub Date: March 10, 2015

ISBN: 978-1-57091-414-0

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Jan. 9, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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DECOY SAVES OPENING DAY

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts.

Ohtani, pitcher for the Los Angeles Dodgers, teams up with Blank and Liem to tell the story of how his dog, Decoy, threw out a ceremonial first pitch.

It’s a big day! Decoy leaps “off the bed. Then back onto the bed. Then off the bed.” The enthusiastic pup heads outside to practice with his lucky baseball but is quickly distracted by squirrels (“we’ll play later!”), airplanes (“flyin’ high!”), and flowers (“smell ya soon!”). Dog and pitcher then head to the ballpark. In the locker room, Decoy high-paws Shohei’s teammates. It’s nearly time! But as Shohei prepares to warm up, Decoy realizes that he’s forgotten something important: his lucky ball. Without it, there will be “no championships, no parades, and no hot dogs!” Back home he goes, returning just in time. With Shohei at the plate, Decoy runs from the mound to his owner, rolling the ball into Shohei’s mitt for a “Striiiiike!” Related from a dog’s point of view, Ohtani and Blank’s energetic text lends the tale a sense of urgency and suspense. Liem’s illustrations capture the excitement of the first day of baseball season and the joys of locker room camaraderie, as well as Shohei and Decoy’s mutual affection—even when the ball is drenched in slobber, Shohei’s love for his pet shines through, and clearly, Decoy is focused when it matters.

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts. (Picture book. 5-7)

Pub Date: Feb. 3, 2026

ISBN: 9780063460775

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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