As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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A good choice to share with wriggly listeners, who will soon be joining in.

AT THE OLD HAUNTED HOUSE

A Halloween book that rides on the rhythms of “Over in the Meadow.”

Although Halloween rhyming counting books abound, this stands out, with a text that begs to be read aloud and cartoony digital illustrations that add goofy appeal. A girl and two boys set off on Halloween night to go trick-or-treating. As the children leave the cozy, warm glow of their street, readers see a haunted house on a hill, with gravestones dotting the front yard. Climbing the twisty path to the dark estate takes time, so the story turns to the antics inside the house. “At the old haunted house in a room with no sun / lived a warty green witch and her wee witch one. ‘SPELL!’ cried the witch. ‘POOF!’ cried the one. / And they both practiced spells in the room with no sun.” The actions of the scary creatures within may seem odd, but the rhyme must go on: Cats scratch, goblins dust, monsters stir, and mummies mix. Eventually the three kids reach the front door and are invited in for stew, cake and brew. At first shocked by the gruesome fare, the children recover quickly and get caught up in partying with the slightly spooky but friendly menagerie.

A good choice to share with wriggly listeners, who will soon be joining in. (Picture book. 4-6)

Pub Date: Aug. 12, 2014

ISBN: 978-1-4778-4769-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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