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NOAH'S ARK

Name: NOAH'S ARK
Author: Jerry Pinkney
ISBN: 978-1-58717-201-4

adapted by Jerry Pinkney & illustrated by Jerry Pinkney ‧ RELEASE DATE: Oct. 1, 2002

A glorious choice for reading aloud.

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Pinkney, at his grandest, matches a poetically phrased text—the Ark “rose over their heads. It rose over the treetops. The strong wooden beams embraced the clouds”—with sweeping spreads of dappled paintings that capture brilliantly the hugeness of the Ark a-building, the wonder of so many creatures gathering peaceably to crowd aboard, and the closing glory of a planet festooned with rainbows as signs of God’s promise to the Charlton Heston–like Noah.

Of the making of Noahs there seems to be no end, but while other recent versions of the tale put Noah’s family on center stage, or feature realistically depicted animals or humorous touches, this brings out the vast scale of the flood: “The water rose over cities and towns. Whales swam down ruined streets. Schools of fish darted through empty windows.” But turn the page and there inside “everyone was safe.” Filling his pages with lovely earth tones, Pinkney’s occasional use of color stands out all the more: a baboon’s multicolored nose, a bright blue robe, a bright red apple, or a bird’s brilliant plumage. And then there’s all that water.

A glorious choice for reading aloud. (Picture book/nonfiction. 7-9)

Pub Date: Oct. 1, 2002

ISBN: 978-1-58717-201-4

Page Count: 40

Publisher: SeaStar/North-South

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2002

Categories:

CHILDREN'S RELIGIOUS FICTION

- BOOK REVIEW
A WALK IN THE WOODS
by Nikki Grimes ; illustrated by Jerry Pinkney & Brian Pinkney

- BOOK REVIEW
JUST JERRY
by Jerry Pinkney ; illustrated by Jerry Pinkney

- BOOK REVIEW
THE WELCOME CHAIR
by Rosemary Wells ; illustrated by Jerry Pinkney

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THE NIGHT OF LAS POSADAS

by Tomie dePaola & illustrated by Tomie dePaola ‧ RELEASE DATE: Oct. 1, 1999

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A wondrous occurrence, an ancient tradition, and an elderly nun’s abiding faith are the basis of this moving Chirstmas tale from dePaola (26 Fairmount Avenue, p. 629, etc.). Sister Angie is overjoyed when her niece Lupe and her husband are selected to play Mary and Joseph—here, Maria and José—for Las Posadas, the reenactment of the journey into Bethlehem. When Sister Angie becomes ill and Lupe and Roberto become stranded in a heavy snowstorm, it seems as if the celebration will be delayed. However, a couple arrives just in time to take the place of the missing players. The whole village participates in the procession, from the singers who follow Mary and Joseph, to the “devils” who attempt to prevent the weary travelers from finding lodging. After several rebuffs, the couple arrives at the gates of the courtyard; these open and the entire assembly enters to celebrate. When Lupe and Roberto finally show up, the other couple is nowhere to be found. The story takes a supernatural twist when Sister Angie discovers that the figures in the church’s manger scene have come to life, temporarily, for the procession. The mysteries and miracles of the season are kept at bay; this simple narrative spells everything out, resulting in a primer on the tradition. Richly hued, luminescent illustrations radiate from the pages; an introduction and author’s note provide additional information. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23400-4

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:

CHILDREN'S RELIGIOUS FICTION

- BOOK REVIEW
WINGS
by Cheryl B. Klein ; illustrated by Tomie dePaola

- BOOK REVIEW
THE POPCORN BOOK
by Tomie dePaola ; illustrated by Tomie dePaola

- BOOK REVIEW
QUIET
by Tomie dePaola ; illustrated by Tomie dePaola

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SUNDAY WEEK

by Dinah Johnson ‧ RELEASE DATE: March 1, 1999

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Johnson (All Around Town, 1998) sketches out the activities for the six days leading up to Sunday. Monday is reserved for the blues, Tuesday for double Dutch workouts, Wednesday for choir practice, Thursday for reading with Miss Augusta (“books filled with magic words. We can taste them and hear them and fashion them—speak words written and said long ago to make today and tomorrow our own”), Friday—“Finally Friday,”—with its fish and hush puppies, and workday Saturday. Then comes Sunday at the Lovely Hill Baptist Church, and displays of fashion, toe-tapping music, gathering, and feasting. The spirituality in these pages is caring and inclusive, so no one is a stranger here; Geter’s pastels are studied and a little self-conscious, but as warm as the biscuits served at Sunday dinner. (Picture book. 6-9)