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PUSS IN BOOTS

Handsomely turned out, as can be expected…but Pinkney himself notes that he studied over 20 illustrated editions of the...

A retold but intact version of the familiar tale, given the customary early-18th-century setting in illustrations crowded with figures and period detail.

Pinkney retells the tale in plain, measured language: “ ‘Have some boots made for me,’ [the cat] said, ‘and give me a strong sack with a drawstring. I just might be able to help you find your fortune.’ ” With a few minor changes or additions (the ogre, for instance, is a “rich and evil sorcerer” depicted as human), the story puts passive young Benjamin into the paws of a feline impresario who orchestrates his rise to fame, fortune and a royal wedding to the equally inert Princess Daniella. Identified in the author’s afterword as a “black-and-white silver-tabby British shorthair,” the cat cuts a properly self-confident, swashbuckling figure as he inserts himself into a claustrophobically populous royal entourage bursting with sumptuously patterned silks, floating ribbons, airy plumage and ruffles. He goes on to trick the sorcerer in a confrontation (depicted in part in an awkwardly placed gatefold) and to become prime minister. Nor are his adventures over, as a nautical scene on the rear endpaper hints.

Handsomely turned out, as can be expected…but Pinkney himself notes that he studied over 20 illustrated editions of the story before producing one of his own, and he offers nothing particularly fresh. (Picture book/folk tale. 7-10)

Pub Date: Nov. 13, 2012

ISBN: 978-0-8037-1642-1

Page Count: 40

Publisher: Dial Books

Review Posted Online: Sept. 25, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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CODY HARMON, KING OF PETS

From the Franklin School Friends series

Another winner from Mills, equally well suited to reading aloud and independent reading.

When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.

As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?

Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)

Pub Date: June 14, 2016

ISBN: 978-0-374-30223-8

Page Count: 144

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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