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AMERICA'S GAME

THE NFL AT 100

A treat for gridiron fans.

Hall of Fame wide receiver Rice and sportswriter Williams (co-authors: 50 Years, 50 Moments: The Most Unforgettable Plays in Super Bowl History, 2015) turn in a lively history of the NFL.

A century ago, George Halas, the legendary Bears coach, “arguably the most influential figure in the history of professional football,” caught a train to Ohio and created a league, the American Professional Football Association, made up of teams from Ohio, Indiana, Illinois, and New York. Most of those teams—the Muncie Flyers and Rochester Jeffersons, anyone?—no longer exist, but the league itself evolved, and with it football became increasingly popular not just in pro stadiums, but also in high school and college. Early football wasn’t pretty: It was a mud-spattered mess, made messier by the fact that the first players didn’t have helmets—and many grew their hair long in the belief that “a thick shock of hair would help absorb the shock of collisions.” The authors are comprehensive in their coverage, explaining the necessary partnership of quarterbacks and receivers—you can’t have greats of either unless you have greats of both—and the machinations of the draft, with a roster of the best of all time. Rice and Williams serve up a rogues’ gallery, taking in the great and the forgotten alike. The pace of the narrative is a little herky-jerky, switching from anecdote to stats and brief biographies that threaten to induce chronological whiplash; the book could benefit from both streamlining and a little more Ken Burns–like splashiness, given the occasion. But there are plenty of locker-room stories that are worth the price of admission—e.g., Detroit Lions QB Bobby Layne’s habit of sending rookies out to buy beer just ahead of curfew, which was sure to bring on a fine, since they “couldn’t refuse the best, most influential player on the team,” and Rice’s own habit, maddening to equipment managers, of trying on every pair of pants in the place before a game: “Everything had to be spanking new.”

A treat for gridiron fans.

Pub Date: Oct. 29, 2019

ISBN: 978-0-06-269290-0

Page Count: 544

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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