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DIANNE FEINSTEIN

NEVER LET THEM SEE YOU CRY

This competent biography of California senator Feinstein, who in November will be up for reelection, hews to the new archetype in political drama: It's the tale of the child who triumphs over the dysfunctions of family life and grows up to become an influential public figure. Roberts, editorial page editor of the San Francisco Chronicle, offers a tepid round-up of Feinstein's life and career. He sketches Feinstein's parents, a successful doctor and an abusive mother, and suggests that in childhood Feinstein learned to transform emotional pain into ambition. After Stanford, Dianne Goldman returned home to San Francisco in 1956, began learning politics, and eloped with lawyer Jack Berman. Divorced within three years, she raised a daughter, developed her political profile as a member of the state parole board for women, and found lasting love with neurosurgeon Bert Feinstein. In 1969, she won election to the San Francisco Board of Supervisors, casting her crusade—as throughout her career, the author notes aptly—``in terms that threatened neither men nor the status quo.'' Insecure and imperious, Democrat Feinstein gained a reputation as a ``paradoxical liberal'' (most notably by abandoning her opposition to the death penalty). In 1978 her husband died, San Francisco was rocked by the Jonestown tragedy, and Supervisor Dan White assassinated Mayor George Moscone and Supervisor Harvey Milk. Feinstein became acting mayor, and her stewardship lasted nine years, earning her a national reputation. She lost the 1990 race for governor to Pete Wilson but rebounded in 1992, when she was elected to fill out Wilson's uncompleted Senate term. She won on the strength of her campaign style, big spending, and the postAnita Hill ``Year of the Woman'' campaign of the Democratic National Committee. Though Feinstein once aspired to be president, she now says the Senate's high enough. Indeed, this book, though mainly respectful, should not garner her new acolytes. (8 pages b&w photos, not seen) ($50,000 ad/promo; author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-06-258508-8

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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