Ward may not tell you anything new about slavery, but her language is saturated with terror and enchantment.
This intensely wrought tone poem stalks an enslaved girl’s tortuous passage through the human-made and natural perils of the antebellum Deep South.
Ward follows her award-winning Bois Sauvage trilogy (Where the Line Bleeds, 2008; Salvage the Bones, 2011; Sing, Unburied, Sing, 2017) by moving away from her native Mississippi and back in time to the rice fields of pre–Civil War North Carolina, where Annis, a bright young Black woman who has learned from her mother, enslaved like her, that the white man who owns her is also her father and his daughters (on whose school lessons about Aristotle and the social habits of bees she eavesdrops) are her sisters. Annis’ mother enhances the younger woman’s education with lessons in self-defense and survival tactics she carried with her from Africa, where, as she informs her daughter, her mother was a warrior queen. Annis will need all this inherited cunning and resilience after her “sire” sells her mother. Away from her chores, Annis finds solace from her lover, Safi, the bees carrying out their own chores in the nearby forest, and words from a poem about an “ancient Italian” descending into hell as intoned by her sisters’ tutor. After Safi flees the plantation, Annis and other slave women are herded like cattle and sent off on a long, grueling march further south. Along the way, Annis has her first encounter with a dynamic woman spirit bearing the name Mama Aza, an imperious and enigmatic guardian angel guiding and protecting Annis from the more malevolent spirits that endanger the women’s lives en route to the slave markets of New Orleans, which Annis likens to the “grief-racked city” of Dante’s poem. There’s little that Ward’s narrative contributes to the literature of American slavery in its basic historic details. But what gives this volume its stature and heft among other recent novels are the power, precision, and visionary flow of Ward’s writing, the way she makes the unimaginable horror, soul-crushing drudgery, and haphazard cruelties of the distant past vivid to her readers. Every time you think this novel is taking you places you’ve been before, Ward startles you with an image, a metaphor, a rhetorical surge that makes both Annis and her travails worth your attention. And admiration.
Ward may not tell you anything new about slavery, but her language is saturated with terror and enchantment.Pub Date: Oct. 24, 2023
ISBN: 9781982104498
Page Count: 320
Publisher: Scribner
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
PERSPECTIVES
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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