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SEE WHAT YOU MADE ME DO

THE DANGERS OF DOMESTIC ABUSE THAT WE IGNORE, EXPLAIN AWAY, OR REFUSE TO SEE

An exposé of domestic abuse that portrays other countries more convincingly than it does the U.S.

An Australian journalist finds countless faults with how society treats those who endure domestic violence.

Hill is all over the map, literally and figuratively, in this exploration of how “victims of domestic abuse have been blamed by the public, maligned by the justice system, and pathologized by psychiatrists.” After winning the Stella Prize for the Australian edition, the author has revised the book heavily for the North American market, and she finds antecedents for homegrown domestic abuse in the “deeply patriarchal and deeply sexist” views of the Puritans. Hill has a wealth of insight into why women stay with abusive partners; how the police and courts fail those who have suffered; the unique vulnerabilities of Aboriginal people; and the varied types of “coercive controllers,” who need more than one-size-fits-all “anger management” programs. The author also finds innovative solutions in countries including Argentina, which has special police stations for women, resembling living rooms with play spaces for children, where female victims find under one roof all the services they need—“lawyers, social workers, psychologists.” Hill stumbles, however, in analyzing the U.S., most notably when she suggests that in America, as elsewhere, “2014 will likely stand as the year when the Western world finally started taking men’s violence against women seriously,” in part because that was the year that NFL star Ray Rice assaulted his fiancee, Janay Palmer. In fact, as Rachel Louise Snyder writes in the excellent No Visible Bruises, the U.S. watershed came two decades earlier, when “Nicole Brown Simpson became the face of a new kind of victim” and Congress passed the Violence Against Women Act. Hill’s global perspective is valuable—as is a chapter on women who abuse men—but Snyder’s book has a firmer grasp of the American issues.

An exposé of domestic abuse that portrays other countries more convincingly than it does the U.S.

Pub Date: Sept. 1, 2020

ISBN: 978-1-72822-226-4

Page Count: 448

Publisher: Sourcebooks

Review Posted Online: May 28, 2020

Kirkus Reviews Issue: June 15, 2020

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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