A fiery synopsis of a formative period for American masculinity.
A cultural critic traces a nebulous redefinition of masculinity to the last decades of the 20th century.
In her new work, Crispin’s tools of critique are the erotic thrillers in which Michael Douglas starred in the 1980s and ’90s. The characters he played during this time, the author suggests, all reflect a “new masculinity” trying to find purchase in the wake of not only feminism’s second and third waves, but also shifts to America’s global position at the end of the Cold War. Women had achieved, even if imperfectly, new freedoms and had built resourceful networks of community and advocacy to propel themselves from patriarchy’s grip. Men, however, floundered in the face of perceived disempowerment. Failing to discern a new model of masculinity in their changing world, they become narrowly—even dangerously—reactive, shaping manliness into something marked by paranoid outrage, monetary greed, and cruel individualism. This is a niche period, both for Michael Douglas as a celebrity—his work after the turn of the century is only barely covered in the text, with some films not mentioned at all—and for the creation of a post-patriarchal society. The Douglas films offer examples as touchpoints for the author to discuss stereotypes like midlife crisis and nostalgic nationalism, as well as upheavals like no-fault divorce and the savings and loan banking crisis, all of which give way to the confusion, denial, and ultimately defensiveness and grievance that fuel a widespread conversation about how “men are failing to thrive” today. The author’s preoccupation with Douglas’ portrayals often distracts from rather than reinforces her argument, which can itself be winding and overgeneralized. Nevertheless, Crispin’s adept cultural synthesis is delivered with amusing snark and an undertone of increasing anxiety, pontifical concern, and moral urgency designed to confront the current moment.
A fiery synopsis of a formative period for American masculinity.Pub Date: June 3, 2025
ISBN: 9780593317624
Page Count: 288
Publisher: Pantheon
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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