Less convincing when striving for the epic, this solid novel achieves its strongest moments of emotional resonance in the...
An alcoholic who travels to Israel on a mission of atonement—to return a priceless brooch to an aging kibbutznik—is one of a disparate group of survivors with intertwined futures.
Hope’s debut, a saga of lives intersecting at Kibbutz Sadot Hador in 1994, accrues its momentum slowly, like a rolling stone. The story is spearheaded by 26-year-old Adam Soccorso, who has fled here from New York, searching for a woman named Dagmar, to whom his recently deceased grandfather had long ago tried to give a family heirloom, a medieval sapphire brooch decorated with pomegranates. Adam, a recovering alcoholic with some recent sins weighing heavily on his conscience, naively believes that handing over the brooch will make things right. The kibbutz community he joins includes international volunteers like him—including ruthless Ulya, from Belarus, whose goal is a glamorous life in Manhattan; and French-Canadian Claudette, freighted with her own long burden of misery—and locals like the musically talented Israeli soldier Ofir and Ziva, an elderly firebrand whose commitment to the original socialist ideals of the kibbutz has filled and shaped her life. They all carry a measure of suffering, and after giving plenty of time to each of their stories, Hope sets about mingling their various paths toward redemption. At a larger level, she uses the brooch to connect episodes of anti-Semitism down the ages. With its multiple mininarratives and characters who lack convincing depth, the story often remains earthbound; but Hope hits her stride as Claudette begins to outgrow her past and Ziva reluctantly embraces truths she has long denied. Not all the characters are granted absolution or even a definite fate, but the brooch ends up in the right home.
Less convincing when striving for the epic, this solid novel achieves its strongest moments of emotional resonance in the presence of its older female characters.Pub Date: June 9, 2015
ISBN: 978-1-941493-06-9
Page Count: 400
Publisher: Fig Tree Books
Review Posted Online: March 23, 2015
Kirkus Reviews Issue: April 1, 2015
PROFILES
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
