OPEN THIS LITTLE BOOK

A delightful and timely homage to reading and, more, to books themselves.

You really can't judge a book by its cover!

Follow the instructions of the title and find...another, smaller cover, in purple, with a frog and a rabbit both engrossed in their reading. Open that cover, and there's a red one (with black dots) about a ladybug, then a green one about a frog, an orange one about a rabbit, a yellow (with honeycombs) about a bear, each progressively smaller, and finally, a tiny blue one, which really contains a story. It's about a giant, the ladybug, the rabbit, the frog and the bear, dedicated readers all, who form a friendship based on their love of reading. Meantime, the outer edges of the books that were opened on the way form a pretty, square rainbow. (Each cover features a different typeface and background design.) Getting to the end of the story means passing back through all the previous page sizes and colors. On the final red page, the ladybug closes her book, and then “[y]ou close this little red book….” But of course, then readers are urged to "open another!" And the illustration on the real last page features a tall bookcase with all the animals around it reading, as well as the giant's hand, other tiny creatures and a couple of engrossed children. The sleek text and endlessly inventive design register strongly by showing rather than just telling.

A delightful and timely homage to reading and, more, to books themselves. (Picture book. 3-8)

Pub Date: Feb. 1, 2013

ISBN: 978-0-8118-6783-2

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Dec. 25, 2012

Kirkus Reviews Issue: Jan. 15, 2013

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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