When Anna Ryan was 7, her mother drowned in the ocean, leaving Anna with inescapable guilt and a growing rift with her withdrawn lifeguard father.
After he accepts a job transfer to southern California the summer before Anna’s junior year, they end up stationed at the same beach where her father and mother met and fell in love and living beside the abandoned cottage her mother resided in for several summers. The teen’s new surroundings, beautifully described in the first-person narration, invite unexpected friendships and a secret relationship with young lifeguard Tyler, who’s been warned not to fool around with the boss’ daughter. And enveloped by her now-mythical mother’s stomping grounds, locals who remember her mother, a growing need for answers about her mother’s past and an eerie pull from the ocean itself, Anna’s fond memories of collecting sea glass by the light of the moon with a carefree mother turn to anger as she begins to remember details about her troubled mother’s “accident.” Like sea glass, this smooth, radiant debut, reminiscent of Sarah Dessen, sets authentic and sympathetic characters working through a life-changing transformation against the backdrop of a steamy summer romance.
Great for beach time—or anytime. (Fiction. 12 & up)Pub Date: May 3, 2011
ISBN: 978-1-4424-1694-9
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Engrossing, contemplative, and as heart-wrenching as the title promises.
36
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK TO SCREEN
Riveting, brutal and beautifully told.
25
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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