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CHOPSTICKS

Name: CHOPSTICKS
Author: Jessica Anthony

by Jessica Anthony & illustrated by Rodrigo Corral & developed by Penguin Group USA ‧ RELEASE DATE: Feb. 2, 2012

Though engaging, this app calls more attention to the medium than the message behind this wonderfully disturbing tale.

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Multimedia collage tells the tale of a child prodigy’s struggle with madness in this app version of the novel for teens.

On paper, Anthony and Corral pushed narrative’s edge in this unsettling tale of star-crossed love and burgeoning talent. The app does as well. Using snapshots, newspaper clippings, postcards, concert programs, text-messaging conversations and illustrations, Anthony and Corral present a scrapbook-style biography of Gloria “Glory” Fleming’s extraordinary life from before birth to her disappearance at age 17. Glory’s prodigal talent as a pianist gains her world renown, and her love for Frank Mendoza, the boy next door, appears to be able to surmount all obstacles. But when Glory starts introducing the basic Chopsticks theme in performance and then finds she can’t stop, the shadow of madness casts a pall over the story, leading readers to wonder whether Frank even exists. This app’s interactive features underscore Glory’s instability. With the ability to zoom in, for example, readers can play detective and scrutinize key objects in the story, such as a wine bottle's label, that contradict her account. The ability to move photos on the page suggests their transience, and touch-screen English translations of Spanish passages make the spare text even more accessible. It's a pity that the app does not make fuller use of an audio recording of Chopsticks; instead, it relies on Internet access to view embedded links to YouTube clips (which don’t add appreciably to the work), making it less portable than the print version.

Though engaging, this app calls more attention to the medium than the message behind this wonderfully disturbing tale. (iPad book app. 15 & up)

Pub Date: Feb. 2, 2012

ISBN: N/A

Page Count: -

Publisher: Penguin

Review Posted Online: May 8, 2012

Kirkus Reviews Issue: June 1, 2012

- BOOK REVIEW
CHOPSTICKS
by Jessica Anthony & illustrated by Rodrigo Corral

THE OXFORD ILLUSTRATED BOOK OF AMERICAN CHILDREN'S POEMS

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THE OXFORD ILLUSTRATED BOOK OF AMERICAN CHILDREN'S POEMS

by Donald Hall ‧ RELEASE DATE: Nov. 11, 1999

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Hall (The Oxford Book of Children’s Verse in America, 1985, etc.), offers up a chestnut-flavored alternative for younger readers, matching roughly contemporary illustrations to one or two selections from each of 57 American poets. To the usual suspects—Eugene Field’s “Wynken, Blynken and Nod,” Emily Dickinson’s “I’m nobody, who are you?” and even Carl Sandburg’s “Fog”—he adds more recent works from the likes of Jack Prelutsky, Gary Soto, Sandra Cisneros, and Janet S. Wong; he also includes three poems attributed somewhat baldly to an “Anonymous Native American.” The art comprises a gallery of American illustration, from crude 18th-century woodcuts, through Jessie Willcox Smith, to Marcia Brown and the Dillons. Writing that “poetry is most poetry when it makes noise,” Hall recommends these verses for reading aloud and memorization, exhorting parents and children to appreciate how they “preserve a moment of the American past.” A safe collection, seldom veering from the canon. (index) (Poetry. 9-11)

Pub Date: Nov. 11, 1999

ISBN: 0-19-512373-5

Page Count: 93

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

Categories:

CHILDREN'S POETRY

- BOOK REVIEW
THE MILKMAN'S BOY
by Donald Hall & illustrated by Greg Shed

- BOOK REVIEW
OLD HOME DAY
by Donald Hall & illustrated by Emily Arnold McCully

- BOOK REVIEW
WHEN WILLARD MET BABE RUTH
by Donald Hall & illustrated by Barry Moser

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RED-EYED TREE FROG

by Joy Cowley ‧ RELEASE DATE: March 1, 1999

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Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)