Illuminating, encouraging reading for anyone who has felt stymied by rejection.
A collection of interviews with distinguished career women about how they managed rejection on the way to success.
In this follow-up to Mistakes I Made at Work (2014), Bacal, director of reflective and integrative practices at Smith College, argues that professional rejection often conceals gender inequities and stereotypes that have long dogged career-minded women. “Rejection,” she writes, “can reinforce a message that many of us are receiving all the time in small ways: You don’t belong.” This book offers stories and tips about rejection from female academics, lawyers, entrepreneurs, journalists, and artists who have succeeded in professions dominated by men. In the first of four sections, Bacal shows how women like psychologist Angela Duckworth and Harvard Business School professor Laura Huang transformed their many rejections into opportunities to transcend disappointment and synthesize what they learned in order to overcome systemic barriers. The second section includes stories about women such as queer writer and performance artist Michelle Tea, who used rejection to find creative ways to bring her work into the public arena. In the third section, comedy writer Emily Winter sagely advises that “being told you need to strive" is far better preparation than being told on a routine basis, as many male professionals are, that "everything you do is great.” The fourth section includes contributions from Los Angeles Times staff reporter Carolina Miranda and chef Unmi Abkin, both of whom show how rejection can actually help someone “pivot” from an ill-suited job to one that is a better fit. Bacal supplements the essays with exercises designed to help readers "generate a new story about yourself.” This affirming book is sure to provide career women with the courage to not only move forward from rejection, but also mount necessary challenges to the masculine bias in the professional world. Other contributors include Roz Chast, Tara Schuster, and Loretta Ross.
Illuminating, encouraging reading for anyone who has felt stymied by rejection.Pub Date: April 6, 2021
ISBN: 978-0-593-18765-4
Page Count: 288
Publisher: Plume
Review Posted Online: Jan. 9, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
BOOK REVIEW
BOOK REVIEW
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