Despite possessing every cliché in the genre, an elegantly addictive read.
The only thing more terrifying than being proclaimed the chosen one is secretly knowing you aren’t.
Of the three orders of magic practiced in this alternative Victorian Britain, only sorcery is legal—and it’s exclusively male. Fearing execution for witchcraft, 16-year-old Henrietta Howel has worked to hide her fiery powers, so she’s astonished to be hailed as the fulfillment of prophecy, the first female sorcerer in centuries. Whisked off to London, surrounded by luxury (and handsome young sorcerers-in-training), Henrietta fights to master magic and protect her dearest childhood friend, knowing that she’ll forfeit everything should her secrets be revealed. Every plot beat and character note here is utterly familiar; even the “subverted” tropes are upended in predictable ways. Henrietta is a stereotypical girl fantasy protagonist: uniquely gifted, haunted by childhood abuse, sympathetic to outcasts, “unfeminine” in her interests, believing herself unlovable even while adored by everyone except spiteful (and misogynistic) villains....Still, originality isn’t the only literary virtue, and Cluess deploys every timeworn device with stylish aplomb. Her gaslit world besieged by Lovecraft-ian horrors possesses vivid life, and if Henrietta’s hunky harem is populated by stock characters, their friendship still rings true. Despite frequent allusions to Henrietta’s “dark complexion” from her Welsh heritage, the characters are clearly all white, save the black, outlaw magician she befriends; even with the looming romantic polygon, hints abound that this world isn’t entirely heterosexual.
Despite possessing every cliché in the genre, an elegantly addictive read. (Fantasy. 12-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-553-53590-7
Page Count: 416
Publisher: Random House
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
