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TOMORROW I'LL BE BRAVE

More projection than inspiration, with nothing to make up for it and fussy lettering to boot.

Young animals aspire to admirable traits.

Two protagonists—a white bunny and a gray cat—catalog their goals in first-person rhyming verse that could equally be coming from either of them. “Tomorrow I’ll be ADVENTUROUS / I’ll play and I’ll explore // I’ll make or learn or try something / I’ve never done before!” Illustrating that verse’s first half, the bunny stands confidently in a sailboat on a red sea, while the cat—in the boat’s crow’s nest—peers through a spyglass at a treasure chest on a pink island. For the verse’s second half—“make or learn or try” something new—vignettes showcase diving, painting, going to the dentist, and eating sushi with chopsticks. Unfortunately, casting sushi and/or chopsticks as “something…never done before” excludes and exoticizes readers for whom chopsticks and/or sushi are old hat. Hische’s matte illustrations are friendly, with flat, retro-styled shapes. However, each aspirational adjective marches massively across the double-page spreads, overwhelming the other text, and several of them (“strong,” “curious,” “confident,” “brave”) are set in such fancy and enormous display type that new readers (and even some adults) will need to pause and squint before deciphering the word. The first-person voice, ostensibly a child’s, sounds like an adult’s wishful thinking: “Please teach me something new”; “I’ll try my best”; “Tomorrow I’ll be SMART / I’ll think before I act”; “I’ll…think about / how much you’ve helped me grow!”

More projection than inspiration, with nothing to make up for it and fussy lettering to boot. (Picture book. 3-7)

Pub Date: Oct. 16, 2018

ISBN: 978-1-5247-8701-1

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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