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TOMORROW I'LL BE BRAVE

More projection than inspiration, with nothing to make up for it and fussy lettering to boot.

Young animals aspire to admirable traits.

Two protagonists—a white bunny and a gray cat—catalog their goals in first-person rhyming verse that could equally be coming from either of them. “Tomorrow I’ll be ADVENTUROUS / I’ll play and I’ll explore // I’ll make or learn or try something / I’ve never done before!” Illustrating that verse’s first half, the bunny stands confidently in a sailboat on a red sea, while the cat—in the boat’s crow’s nest—peers through a spyglass at a treasure chest on a pink island. For the verse’s second half—“make or learn or try” something new—vignettes showcase diving, painting, going to the dentist, and eating sushi with chopsticks. Unfortunately, casting sushi and/or chopsticks as “something…never done before” excludes and exoticizes readers for whom chopsticks and/or sushi are old hat. Hische’s matte illustrations are friendly, with flat, retro-styled shapes. However, each aspirational adjective marches massively across the double-page spreads, overwhelming the other text, and several of them (“strong,” “curious,” “confident,” “brave”) are set in such fancy and enormous display type that new readers (and even some adults) will need to pause and squint before deciphering the word. The first-person voice, ostensibly a child’s, sounds like an adult’s wishful thinking: “Please teach me something new”; “I’ll try my best”; “Tomorrow I’ll be SMART / I’ll think before I act”; “I’ll…think about / how much you’ve helped me grow!”

More projection than inspiration, with nothing to make up for it and fussy lettering to boot. (Picture book. 3-7)

Pub Date: Oct. 16, 2018

ISBN: 978-1-5247-8701-1

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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