A few missed notes don’t prevent this novel from delivering a satisfying story even if the tune is familiar.
A toe-tapping fantasy novel mixes music and mystery.
Aficionados of middle-grade fantasy may find the premise recognizable: A parentless 12-year-old with unusual magical gifts is summoned to attend an elite boarding school in order to hone their craft. What makes this, YA author Khoury’s middle-grade debut, stand out is the focus on a special type of magic involving spells cast by playing musical instruments. After narrowly being accepted into Mystwick to study Musicraft with the most talented musicians in the world, Amelia Jones must prove that she has what it takes to perform musical spells and secure her spot at the school—or risk expulsion. Amelia struggles with difficult classes, mountains of homework, plus a roommate who hates her, and she quickly learns that someone—or something—seems to have it out for her. Staying at Mystwick will be more difficult than she ever imagined. Amelia’s only hope is the music she knows she is capable of creating, but she must find the courage and confidence to play it. Frenna’s lightly cartoony grayscale illustrations bring some of the pivotal scenes to life. Sparse physical descriptions paired with student names from a variety of cultures seem like a missed opportunity to describe ethnic and racial diversity explicitly; Amelia is white. Victoria, a guitarist who uses a wheelchair, is a featured secondary character.
A few missed notes don’t prevent this novel from delivering a satisfying story even if the tune is familiar. (Fantasy. 9-13)Pub Date: Jan. 21, 2020
ISBN: 978-1-328-62563-2
Page Count: 368
Publisher: HMH Books
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Rollicking good fun.
A pacy tale of a heist gone wrong.
Twelve-year-old New Yorker Ria Bailey, who has a “not-in-the-picture-at-all British dad” and a Bengali Indian mom, is about to start middle school with her best friends, Ghanaian immigrant tech genius Miracle Owusu and athletic Irish and Mexican American activist Annie Hernandez. When Ria’s art historian mother, a vocal advocate for repatriating looted artefacts, is pushed to resign from the Metropolitan Museum of Art, Ria faces the prospect of leaving the only home she’s ever known. The plot thickens when a ruby resembling one stolen from the museum arrives at their apartment, along with a cryptic message. Worried about Ma’s possible involvement, Ria and her friends plot to return the ruby during their school’s annual museum sleepover. But their attempted reverse heist meets with unforeseen complications. They also encounter Zakir, a mysterious—and distractingly cute—boy. Before long, Ria and friends are racing through the city, dodging menacing strangers, meeting a tech billionaire, and unmasking a long-hidden conspiracy. A brisk pace and well-developed characters enliven this adventure that celebrates the diverse immigrant communities that keep New York thriving; a supporting cast of helpful uncles and aunties from different communities aids the girls in their adventures. DasGupta deftly weaves themes of cultural identity and history into a fun, contemporary storyline that explores the impact of colonization and capitalism on the Global South. Some suspension of disbelief is required, but the story builds to a satisfying finale.
Rollicking good fun. (author’s note) (Mystery. 9-13)Pub Date: April 21, 2026
ISBN: 9781338766875
Page Count: 320
Publisher: Scholastic
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Conspiratorial theatrics and all-around good fun
“Catastrophe is the soul of the theater” in Donnelly’s middle-grade debut.
Sid is a precocious young white boy from the Florida Panhandle trying to rescue his beloved children’s theater, the Juicebox. He brings his best friend, Folly, an African-American boy who is the type of kid who can “sell sharks to the ocean” and “says wearing a bow tie reminds him of his life’s purpose,” along for the ride. In cahoots with the boys is Juicebox newcomer Jelly Baby, a Cuban-American puppeteer whose real name is Juliana. When Folly’s newest business scheme accidentally lands sensitive documents in their laps, the kids think they have just the ticket to secure the funds the theater needs to stay open. Chapters are written in prose but presented as a script with act and scene designations, a clever choice in theory but that in practice is often confusing, especially when the act and scene order are rebooted awkwardly just as the climax nears. The climax itself is reminiscent of Scooby Doo, as the meddling kids improbably catch the bad guy and manage to save the theater in a foregone but unlikely conclusion that may test even the most credulous readers. Despite this, Sid’s first-person, fourth-wall–breaking narration, full of amusing similes and asides, carries the day.
Conspiratorial theatrics and all-around good fun . (Fiction. 9-12)Pub Date: April 1, 2017
ISBN: 978-1-62370-807-8
Page Count: 256
Publisher: Capstone Young Readers
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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