Guaranteed to get hands clapping, fingers tapping, and feet thumping.
An enthusiastic badger marches to her own music.
Eager to join the ensemble of the title, who “[melt] winter away with their melodies,” Juniper auditions with “strong sticks, a thumpity toadstool, and rowdy rhythms.” In response to her booming audition, a disapproving Mr. Moose demonstrates how his musicians make music with whistling flutes, humming strings, and tinkling keys. Juniper tries again, but her boisterous booms drown out their low-key melody. Mr. Moose warns Juniper spring won’t bloom with her fast, loud, wild cacophony. Exiting her failed audition, Juniper hears a woodpecker tapping on a tree trunk and adds her own booms to the taps. Hearing a beaver clapping the ice with his tail, Juniper and the woodpecker join in with their booms and taps. Finding a rabbit thumping the ground, Juniper, the woodpecker, and the beaver add their booming, tapping, and clapping. Together their wild music rattles trees, shakes off snow, and awakens sleeping creatures. Could they be the “First BEATS of Spring”? Onomatopoeic repetition of large, bold display-type booms, taps, claps, and thumps dominates both text and illustrations. The background gradually morphs from snowy, bare winter woods into awakening springtime while the simple, comic shapes of the animal musicians produce a lively visual rhythm as their upbeat ad hoc music-making progresses from page to page.
Guaranteed to get hands clapping, fingers tapping, and feet thumping. (note on seasons) (Picture book. 3-7)Pub Date: Feb. 15, 2022
ISBN: 978-1-5476-0473-9
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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