The marble-mouthed song, too-cheerful illustrations and disconnect between the song and setting make this one to skip; for a...
A too-long setup leads readers through a repetitious song that enumerates a marine food chain.
In Law’s adaptation of the traditional cumulative song, there is a shark in the hole in the bottom of the sea. He is joined by an eel, a squid, a crab, a snail and a green weed. Rather than repeating the first, the second line of each verse adds a small rhyming detail—the shark is in the dark, the eel is concealed, the squid hid—increasing the level of difficulty for an already tough-to-sing tune. The sun kicks off the food chain illustrated in the final two double-page spreads. In one, the smiling animals line up, mouths or appendages reaching for their next meal; the other depicts the still-smiling animals inside each other. McDonald’s childlike cartoon gouache-and-collage illustrations are a mishmash of textures, colors and patterns that mostly reflect the marine habitat. But the setting is not consistently a hole in the bottom of the sea. Rather, the five animals (and two scuba divers) appear just under a sailboat on the surface. Backmatter provides information about blue holes, food chains, the ocean, and the featured flora and fauna. Sheet music shares the copyright page.
The marble-mouthed song, too-cheerful illustrations and disconnect between the song and setting make this one to skip; for a less busy but still child-friendly look at food chains, try Mick Manning’s Snap! (2006). (enhanced CD, not seen; sheet music) (Picture book. 3-6)Pub Date: June 1, 2013
ISBN: 978-1-84686-861-0
Page Count: 24
Publisher: Barefoot Books
Review Posted Online: April 13, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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