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UNDER THE BOTTLE BRIDGE

Not every mystery is resolved, but readers will likely still be pleased with the outcome.

Twelve-year-old Minna Treat makes a new friend and learns something new about an old one as she grapples with the expectations of family and community in Gilbreth, a small New York town dedicated to the perpetuation of traditional crafts.

Minna’s first-person narration is wry and articulate. Raised by her sole known relative, her uncle, after the untimely deaths of her mother and grandparents, Minna has read far more than her share of parenting books. Their droll titles and humorously pat advice are sprinkled throughout; excerpts from a history of the town head each chapter and provide additional context. With an important contest looming, questions about the identity of her unknown father beginning to feel more urgent, her uncle’s (mostly hidden) anxiety about their finances, and the recent election of a mayor intent on modernization and improvements, Minna has plenty to ponder. The addition of mysterious messages found in glass bottles, the mayor’s awkward daughter, and Minna’s best friend’s suddenly secretive behavior gives readers lots to think about too as they follow Minna’s adventures in the month preceding the annual Autumnfest. Lawson creates an engaging cast of characters, most apparently white, and keeps the tone light and the plot moving so that Minna’s adolescent angst is entertaining rather than distressing.

Not every mystery is resolved, but readers will likely still be pleased with the outcome. (Fiction. 8-12)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4814-4842-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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