Eerie and dazzling—a perfect book for a dark and stormy afternoon or a favorite graveyard reading spot.

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ELIZABETH AND ZENOBIA

Debut novelist Miller concocts a blend of Gothic horror and spine-tingling mystery.

Elizabeth feels lonely and forgotten when her father moves her to his ancestral home, Witheringe House, after her mother abandons the two of them. At least best friend Zenobia has come along, though with her contrary nature, Zenobia is not exactly a comfort. She’s also not exactly real. That is, not to anyone except Elizabeth. Aussie Miller sets her tale in the gauzy nebulousness of the early 20th century, delivering a stunning slow burn full of creepy atmospheric tension and heartbreaking loneliness. The back-and-forth dialogue between Elizabeth and her imaginary companion is laced with tension—give and take—illustrating the tumultuous extremes of Elizabeth’s psyche. Add a family nursery and wallpaper gardens in which the plant life appears real, a family cemetery, plus an alter ego in search of spirits from beyond and an ending as unpredictable as the beginning or middle—and what readers get is a fascinating tale that feels like Edgar Allen Poe, revisited. Miller’s painstaking crafting of language and attention to atmospheric detail create a clever story where nothing is as it seems. Drawings reminiscent of Gorey and references to gloomy classic poetry add beguiling texture.

Eerie and dazzling—a perfect book for a dark and stormy afternoon or a favorite graveyard reading spot. (Horror. 9-13)

Pub Date: Sept. 19, 2017

ISBN: 978-1-4197-2724-5

Page Count: 208

Publisher: Amulet/Abrams

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: June 15, 2017

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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