Excellent writing and well-developed characters contend with uneven pacing and a predictable plot.
Teen pregnancy, Christian faith, international adoption, and the abortion wars shape the story of a mother and daughter in Buffalo, New York.
After an acclaimed debut (Break in Case of Emergency, 2016), New Yorker editor Winter tells the slowly unfurling story of Jane, a bookish and devout teenager with a mean mother and anorexic tendencies. Her tortured 1970s adolescence is cut short when she gets pregnant and ends up married to Pat and raising their daughter instead of following her friends to the University of Buffalo. One of the loveliest parts of this novel is Jane’s early motherhood experience with her daughter Lauren—a sweet and sensual romance shaped by Jane’s reading of D.W. Winnicott. She has a couple more kids, then the novel skips ahead to Lauren’s adolescence in the early 1990s, also very closely observed: There's Drama Club, an inappropriate young teacher, Nirvana, and the Red Hot Chili Peppers….Winter’s gifts for dialogue and characterization are evident in Lauren’s best friend's analysis of her favorite musicians: “ ’John is so depressed,’ Paula said. 'He can’t handle the fame.' Paula talked about all her rock stars like this, like they were her friends who confided in her….She talked about Kurt Cobain’s mysterious stomach condition like she was his personal physician.” Jane gets involved in the Christian pro-life movement and surprises her family by adopting a deeply disturbed 3-year-old from Romania. For a long time, there is one leisurely episode after another with very little narrative momentum established. Is anything ever going to happen? Then, about two-thirds of the way through, you see exactly where it’s heading, and it’s so ripped-from-the-headlines that one hopes for a surprise. But Winter doesn’t seem to care about plot; the quick series of climactic events at the end are the flattest parts of the book. On the other hand, if you have the patience, there is much—including snarky riffs on Buffalo and the Buffalo accent!—to enjoy.
Excellent writing and well-developed characters contend with uneven pacing and a predictable plot.Pub Date: March 9, 2021
ISBN: 978-0-06-297155-5
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 5, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
A careening, oddly timely tour of recent history, and trademark Pynchon.
Pynchon returns, this time with a wacky whodunit that spans two continents.
What’s a sub without cheese? That’s not to be taken literally, like so much of Pynchon. The sub in question is a German one plying, in an unlikely scenario, the depths of Lake Michigan. There, in Milwaukee, we find Hicks McTaggart, gumshoe, who “has been ankling around the Third Ward all day keeping an eye on a couple of tourists in Borsalinos and black camel hair overcoats from the home office at 22nd and Wabash down the Lake”—the Chicago mob, in other words, drawn to Milwaukee in the void created by the absence of one Bruno Airmont, “the Al Capone of Cheese in Exile,” having legged it with a trunkload of cash some years earlier. Where could Bruno be? And why are those Germans, in those prewar days of Depression and protonationalism, skulking about under the waves? McTaggart will soon find out, sort of, having already been exposed to plenty of chatter—for, “this being Wisconsin, where you find more varieties of social thought than Heinz has pickles, over the years German American politics has only kept growing into a game more and more complicated.” Complicated it is. Trying to keep tabs on the twists and turns of Pynchon’s plot is a fool’s errand, but suffice it to say that it involves bowling, Les Paul, organized crime, Count Basie, a Russian bike gang, Nazis, and, yes, cheese, as well as some lovely psychedelic moments, including one where “fascist daredevil aviators are playing poker with Yangtze Patrol veterans who believe all that airplanes are good for is to be shot down.” Pynchon did the private dick thing to better effect in Inherent Vice (2009), a superior yarn in nearly every respect, so this one earns only an average grade—but then, middling Pynchon is better than a whole lot of writers’ best.
A careening, oddly timely tour of recent history, and trademark Pynchon.Pub Date: Oct. 7, 2025
ISBN: 9781594206108
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Sept. 29, 2025
Kirkus Reviews Issue: Nov. 1, 2025
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
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