by Jessie Garcia ‧ RELEASE DATE: Jan. 14, 2025
A thriller that will keep you guessing with unexpected plot twists.
Two women meet on a plane, then disappear.
Television journalist Garcia’s first work of fiction is the sort of psychological thriller that stands out in the overworked woman-in-peril genre. Fast-paced and with enough twists to keep even distracted readers engaged, the story involves two very different women who meet on a plane. Stephanie Monroe, a divorced mother with a grown son and busy job as a television producer in Madison, Wisconsin, is on her way to a news conference in San Diego. Jasmine Littleton, who works at a dive bar, has sneaked out of her boyfriend’s trailer in the middle of the night to flee her abusive relationship. The women have nothing in common and no history together, but they board the same flight to Denver. Then they disappear from the book, leaving the narration to friends and co-workers disturbed by increasingly odd and worrisome texts from them. Both women seem to have met a desirable man named Trent McCarthy. “I met an amazing guy,” Stephanie texts the neighbor who’s taking care of her cat. “I met a great guy,” Jasmine texts her friend Anna, who lent her money for the plane ticket. Then the texts stop, and all traces of Stephanie and Jasmine vanish. Other characters weigh in on the disappearances, too, including Stephanie’s angry boss, furious at her not returning to work, and Jasmine’s threatening boyfriend, eager to punish her for leaving. As the mystery unspools, Garcia leans more on action and dialogue than characterization, and more than a few unlikely occurrences are scattered throughout, particularly at the end. But she keeps the reader guessing as long as she can, and even when she’s forced to reveal her hand and return the narrative to the main characters, she maintains enough tension and momentum to invest any curious reader in the outcome.
A thriller that will keep you guessing with unexpected plot twists.Pub Date: Jan. 14, 2025
ISBN: 9781250364418
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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