A good springboard for kids and their caregivers to talk about what love means to them.

LOVE, Z

A young robot learns what love is.

Out playing, Z finds a message in a bottle, but all that’s legible is “Love, Beatrice.” Z asks the older robots what “love” is as they help the young one through the bedtime routine, but: “DOES NOT COMPUTE.” So Z sets off to find both Beatrice and the meaning of love. Journeying in a boat that’s captained by a cat, Z asks everyone they meet. But the crow’s, baker’s, and school children’s ideas of love don’t help Z understand. As night falls, the duo sail to an island. Who should live there but Beatrice, an old woman who thinks about her answer as she and Z bake cookies, play chess, and dance: “It’s warm. And cozy. And safe. You’ll know it when you feel it.” Just as Z is ready to power down, the worried older robots arrive. And as they read a story, leave a light, and give a good-night kiss, Z finally has a word to go with the feeling that’s been there all along. Sima’s robots are gray 3-D shapes with oval glowing eyes, elongated or nonexistent noses, and line mouths. Their emotional expressions are limited to what their mouths and articulated arms are doing. The spring-bright colors surrounding the metal robots keep the book from feeling too heavy. Beatrice presents white; the other humans are notably diverse, including one child who uses a wheelchair.

A good springboard for kids and their caregivers to talk about what love means to them. (Picture book. 4-8)

Pub Date: Dec. 18, 2018

ISBN: 978-1-4814-9677-3

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

Did you like this book?

No Comments Yet

Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

Did you like this book?

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

No Comments Yet
more