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PUTIN'S TROLLS

ON THE FRONTLINES OF RUSSIA'S INFORMATION WAR AGAINST THE WORLD

As Russia continues to threaten Ukraine in hybrid warfare, Aro provides an extremely valuable lesson.

Timely exposé of Russia’s vast disinformation campaign from a Finnish journalist persecuted for her persistent reporting of its brazen abuses.

In this important, firsthand account of Russian malfeasance, Aro shows how she has suffered personally and professionally during her diligent quest to expose the rampant social media incursions orchestrated by Putin and his minions. Her work is especially telling in terms of Russia’s first invasion of Ukraine in 2014 and implementation of its online “troll factory,” which meddled significantly in the 2016 U.S. presidential election. Though the author had experience reporting on right-wing and extremist groups, “it wasn’t until I began examining the Kremlin’s tools of international information warfare that a hate campaign was launched against me.” She uncovered Russian cyberattacks as early as 2008, during the two-week war between Russia and Georgia. Years later, she interviewed Andrei Illarionov, one of Putin’s former aides, who provided useful, disturbing information about Russia’s deployment of psychological warfare in Ukraine. The author also reported on a well-known troll factory in St. Petersburg in 2013. Throughout this book, Aro reveals the mechanics of Russia’s insidious nonmilitary tactics and widespread propaganda targeted at civilians—strategies used decades before in both Nazi Germany and the Soviet Union to gain control over the minds of citizens. Due to her intrepid investigations, the author was forced to leave her home country of Finland in 2017. Though many Western media outlets failed to provide adequate protection, in 2019, the U.S. Department of State gave her the International Women of Courage Award—before rescinding it due to her criticism of Donald Trump. Although parts of the narrative may be overly detailed for general readers, the author is to be commended for both her journalism and for her creation of a damning portrait of Putin and his autocratic, manipulative regime.

As Russia continues to threaten Ukraine in hybrid warfare, Aro provides an extremely valuable lesson.

Pub Date: June 7, 2022

ISBN: 978-1-632-46129-2

Page Count: 304

Publisher: Ig Publishing

Review Posted Online: March 7, 2022

Kirkus Reviews Issue: April 1, 2022

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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