Searing, visceral tragicomedy of epic proportions, this novel of a cult leader and her followers on a Pacific island is Ballard's triumphant synthesis of the range of themes that have preoccupied him throughout his career (The Kindness of Women, 1991, etc.). The story begins as an updated, ecological version of Treasure Island when Nell, 16, meets the scruffy Dr. Barbara Rafferty as she's haranguing tourists in Honolulu about French plans to resume nuclear testing on Saint-Esprit atoll. At first Ballard treats us to a wacked-out modern comedy as a ship is found — courtesy of a media magnate whose cameras turn everything into a live TV program — and staffed by a multicultural crew: a Hawaiian nationalist, Japanese pilgrims from Hiroshima, a pharmaceutical millionaire with messianic impulses, filmmakers, a French air hostess. Later, instead of being a setback, the revelation that Dr. Barbara lost her medical license for easing a dozen elderly patients to their graves welds Neil and the others closer to her, setting in motion a descent into our modern nightmare — the egotistical fanaticism that seems to pervert all movements, faiths, ideals. As Dr. Barbara transforms herself from a Jane Goodall-like savior of the albatross to a leader of an island biosphere for all endangered species, Nell grows increasingly complicit with her unspecified agenda. Lured by a psychosexual undertow into her powerful personality — entranced by her ability to stage conflict and renewal out of the raw materials provided by a media-saturated world — Neil and the others turn Saint-Esprit into a commune, an environmental gulag, a killing field. Into their maw come visiting hippies, sailors, anthropologists, do-gooders, fodder for Dr. Barbara's final experiment: an all-female society with Neil its lone overworked stud, his death, it would seem, a foregone conclusion once a younger, stronger male appears. As fast-paced as a thriller, and always distinguished by Ballard's hallucinatory clarity and precise observations: a fiercely contrarian novel that's both Paradiso and Inferno. Probably Ballard's best and most accessible yet.
Pub Date: May 1, 1995
ISBN: 0006548148
Page Count: 240
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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