A clever and finely wrought steampunk tale about aliens and misfits.

Song of the Oceanides

Źymbalist tells the story of two Martian girls attempting to get home in this debut steampunk novel.

In 1903, in three towns in Maine, three misfits’ lives are about to intersect. There is Emmylou, a young, clubfooted Martian girl who had been visiting Maine with her aunt only to have the woman fly away in their rocket ship, stranding Emmylou and her sister among the suspicious residents of Blue Hill (“What if the villagers somehow recognized them?” Emmylou muses. “If someone had noticed the rocket ship, then the villagers would be out and about looking for Martians”). There is Giacomo Venable, the self-published author of Sir Pilgarlic Guthrie’s Phantasy Retrospectacle and, in some ways, a self-loathing failure. There is Rory Slocum, a young boy who gets grief for always having his head in books, dreaming of life on Mars. Struggling to escape from the pressures of their respective situations, the characters drift forward in parallel threads, even as they move toward the ultimate goal of trying to help Emmylou and her sister escape the prejudicial society of Earth and return safely home. In the background is the constant, haunting song of the otherworldly Oceanides, the mysterious and maligned sea nymphs whose voices can be heard by only those that they have targeted for madness. Źymbalist writes in a lovely, highly descriptive prose that luxuriates in the details and curios of his setting: “The brimstone moths would be fluttering all about the command hub, each one fiddling with the many buttons and electrodes by which to work the technology of anti-matter propulsion...all of them nibbling on gowns of Martian mohair and felted wool.” The plot hits all the requisite steampunk notes—flying machines, Pinkertons, H.G. Wells—even if the pacing is lackadaisical. Though epic in structure (over 750 pages), the novel turns out to be ultimately reserved in its ambitions. It never fully delivers on the space-opera flourishes mentioned in the first chapter (Martian vulcanology, Venutian conquest); most of the book takes place in a Maine only marginally more exotic than the real state. That said, the world Źymbalist creates is so rich and vast that, for a certain type of reader, 750 pages will not be nearly enough.

A clever and finely wrought steampunk tale about aliens and misfits.

Pub Date: Jan. 14, 2016

ISBN: 978-1-5232-1403-7

Page Count: 764

Publisher: CreateSpace

Review Posted Online: Feb. 23, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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