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HADDIE’S IN OUR CLOSET!

Touching and funny, this paranormal Mary Poppins story requires a big leap of faith.

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Life takes a supernatural twist when the 150-year-old ghost of an African-American slave follows a family home to Los Angeles.

When Soeder and his family attend his brother-in-law’s wedding at a former plantation home near New Orleans, he encounters more than the usual festivities. Staying in a cottage that was once slave quarters, Soeder comes in contact with the irrepressible Haddie—the 150-year-old ghost of an African-American slave who has haunted the cottage since her death. Haddie can speak to Soeder and read his thoughts, and she promptly makes her opinions felt. Her ability to ice a room, literally, with her disapproval leads to many amusing moments, as do her nonstop questions about a world that she cannot physically touch. Although it may read like fiction, this is, according to the author, a true account. No one else can see or hear Haddie, including Soeder’s wife, Nadine, who accepts this supernatural visitor and seems remarkably unalarmed when Haddie follows the couple and their two young children home to Los Angeles. There, Haddie takes up residence with the family, sleeping in the couple’s closet and caring for their children—which essentially involves putting thoughts in their minds that persuade them to behave. Much of the book follows Haddie’s gleeful discovery of modern technology, from airplanes and alarm clocks to cars and computers. But there are also darker moments, as when she recalls the horrors of slavery and observes the ways in which the world has “grown both better and worse.” Haddie brings a fresh perspective to Soeder’s life, raising intriguing questions about the meaning of life and death. And yet it’s never clear how or why the author feels so at ease with this otherworldly turn of events. His lack of skepticism might make more sense if presented within the context of his previous experiences with the supernatural, described in his other works but only briefly mentioned here. Nevertheless, if you’re willing to suspend disbelief, this is a charmingly quirky ghost story.

Touching and funny, this paranormal Mary Poppins story requires a big leap of faith.

Pub Date: July 19, 2011

ISBN: 978-1463716172

Page Count: 162

Publisher: CreateSpace

Review Posted Online: Aug. 22, 2011

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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ON LIVING

A moving, heartfelt account of a hospice veteran.

Lessons about life from those preparing to die.

A longtime hospice chaplain, Egan (Fumbling: A Pilgrimage Tale of Love, Grief, and Spiritual Renewal on the Camino de Santiago, 2004) shares what she has learned through the stories of those nearing death. She notices that for every life, there are shared stories of heartbreak, pain, guilt, fear, and regret. “Every one of us will go through things that destroy our inner compass and pull meaning out from under us,” she writes. “Everyone who does not die young will go through some sort of spiritual crisis.” The author is also straightforward in noting that through her experiences with the brokenness of others, and in trying to assist in that brokenness, she has found healing for herself. Several years ago, during a C-section, Egan suffered a bad reaction to the anesthesia, leading to months of psychotic disorders and years of recovery. The experience left her with tremendous emotional pain and latent feelings of shame, regret, and anger. However, with each patient she helped, the author found herself better understanding her own past. Despite her role as a chaplain, Egan notes that she rarely discussed God or religious subjects with her patients. Mainly, when people could talk at all, they discussed their families, “because that is how we talk about God. That is how we talk about the meaning of our lives.” It is through families, Egan began to realize, that “we find meaning, and this is where our purpose becomes clear.” The author’s anecdotes are often thought-provoking combinations of sublime humor and tragic pathos. She is not afraid to point out times where she made mistakes, even downright failures, in the course of her work. However, the nature of her work means “living in the gray,” where right and wrong answers are often hard to identify.

A moving, heartfelt account of a hospice veteran.

Pub Date: Oct. 25, 2016

ISBN: 978-1-59463-481-9

Page Count: 224

Publisher: Riverhead

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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