by Jill Biden with Alyssa Satin Capucilli ; illustrated by Kate Berube ‧ RELEASE DATE: June 4, 2024
Kids will enjoy the opportunity to “mews” on the doings of a presidential pet.
First Lady Biden and Capucilli, author of the Biscuit series, explain how Willow the cat came to reside at the White House.
Willow lives contentedly in a barn. One day, she’s curious when cars approach and people gather to hear a blond woman speak. Willow draws closer, then is delighted as the woman lifts her up and hugs her. That evening, light-skinned Farmer Rick tells Willow she made “quite an impression”: The visitor has invited Willow to live with her. A car arrives to drive Willow away to the White House, her new home in Washington, D.C. There, she’s welcomed by the first lady—the same woman who tenderly held her at the farm. Willow meets the president and explores her new home, filled with elegantly furnished rooms, grand staircases, and historic portraits. Plus, there’s a toy-filled basket! Best of all, there are wonderful people who work in and visit this beautiful house who show Willow kindness and affection. Willow’s favorite resting spot is at the president’s side in the Oval Office, though she also enjoys watching the first lady read to children on the lawn. Animal lovers will especially appreciate this sweet, cat’s-eye view of the White House, which helps humanize the first family by depicting them as ordinary feline fanciers. The loose ink, acrylic, and paint illustrations are cheerful and cozy. Background characters are racially diverse.
Kids will enjoy the opportunity to “mews” on the doings of a presidential pet. (author’s note from Biden, photos) (Picture book. 5-8)Pub Date: June 4, 2024
ISBN: 9781665952057
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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by Jill Biden & illustrated by Raúl Colón
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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New York Times Bestseller
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Aaron Reynolds ; illustrated by Peter Brown
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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