Simple and unpretentious in its portrayal of small-town life.
Short stories explore the lives and relationships of residents of a small Minnesota town.
In 10 linked stories, seemingly simple daily interactions reach their tipping points for a wide array of characters. Stories about Ana the bartender bookend the collection, opening with her efforts to connect with patrons of her saloon despite their inconsistent presence (“Last Call”) and ending with her injured and alone in her apartment, recalling the slow loss of her brother to depression after his return from World War II and how she came to spend over 60 years working at her family’s bar (“Ana’s End”). Quiet struggles and solitude continue as themes for other characters, such as Luther, a retired teacher who, despite his budding relationship with a town librarian, is unable to move on from the long-ago death of his first love (“A Yin-Yang Year”); Shirley, the bookshop owner who lashes out at a customer in a moment of grief for her husband (“The Humming Bee”); and Eleanor, who tries to gracefully endure her sister’s funeral as mourners recall how Greta became known as “The Pee Lady” because of her public incontinence (“The Siebenbrunner Nose”). With her direct prose, author Kalz, in her first book for adults, has created a muted kaleidoscope of rural life, though the connections between stories are at times thin or slow to develop. The dialogue is sometimes hindered by wording that feels overly caricatured (“ 'Hot dog,' she said, 'it’s too cold even for the snowmen!' ”), which makes moments of reflection stand out even more: “By the time Luther came home from Marjorie’s, the rooms turned cold and close. He found himself breathing in shallow, quiet breaths, as though there wasn’t enough air left in the apartment by sundown, as though taking a deep breath might suck the walls in even farther.” Still, Kalz captures the tenacity, devotion to labor, and will to endure associated with the rural Midwest.
Simple and unpretentious in its portrayal of small-town life.Pub Date: Nov. 13, 2018
ISBN: 978-1-7322082-0-9
Page Count: 187
Publisher: Minneopa Valley Press
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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