A gentle underwater excursion.
An ocean-themed entry in the Hello World series.
A white youngster with long hair sporting a swim mask encourages little ones to “Dive in and take a look!” at ocean life. Each double-page spread presents a different marine animal, including whales, dolphins, sharks, an octopus, a crab and a lobster, sea turtles, fish, and jellyfish. Two or three conversationally conveyed facts of interest are included per double-page spread, one of which is usually in a smaller type and marked with an asterisk for obscure reasons. “What’s that? It’s a sea horse? It can quickly change colors to blend with the background, helping it hide from enemies,” reads the larger text in one representative spread, while the text in the smaller font reads, “A sea horse father carries eggs in a pouch until they are ready to hatch.” A trio of children, all of whom have light complexions, build a sand castle on the beach and collect shells to highlight the wide variety of the latter that can be found. McDonald’s jewel-toned art has the look of watercolor and is appropriately watery and accessible. The final pages allow children to reflect on their favorite ocean animal as the art reviews all the creatures depicted.
A gentle underwater excursion. (Board book. 1-3)Pub Date: Feb. 5, 2019
ISBN: 978-0-525-57877-2
Page Count: 26
Publisher: Doubleday
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)
Babies and engineers have more in common than you think.
In this book, Alexander highlights the unlikely similarities between babies and engineers. Like engineers, babies ask questions, enjoy building, and learn from their mistakes. Black’s bold, colorful illustrations feature diverse babies and both male- and female-presenting adult characters with a variety of skin tones and hair colors, effectively demonstrating that engineers can be any race or either gender. (Nonbinary models are a little harder to see.) The story ends with a reassurance to the babies in the book that “We believe in you!” presumably implying that any child can be an engineer. The end pages include facts about different kinds of engineers and the basic process used by all engineers in their work. Although the book opens with a rhythmic rhyming couplet, the remaining text lacks the same structure and pattern, making it less entertaining to read. Furthermore, while some of the comparisons between babies and engineers are both clever and apt, others—such as the idea that babies know where to look for answers—are flimsier. The book ends with a text-heavy spread of facts about engineering that, bereft of illustrations, may not hold children’s attention as well as the previous pages. Despite these flaws, on its best pages, the book is visually stimulating, witty, and thoughtful.
A book about engineering notable mostly for its illustrations of diverse characters. (Board book. 1-3)Pub Date: Sept. 17, 2019
ISBN: 978-1-338-31223-2
Page Count: 24
Publisher: Cartwheel/Scholastic
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Don’t judge this book by its cover; there’s an unusual concept and whimsical illustrations hiding underneath
A series of solid shapes substitute for natural objects in this board book that is somewhere between concept book and riddle game.
What’s that shape supposed to be? Running across a rust-brown labeled triangle, amid trees and elk, the text “Climb a TRIANGLE to the top” suggests the shape is a mountain; in an ocean scene with a red “STAR washed in on the waves,” the shape implies a sea star. Ample visual cues give young readers enough context to guess what the shape evokes, with some unexpected touches, such as “HEXAGON” printed on hexagonal honeycombs buzzing with bees and surrounded by golden flowers. Short, commanding sentences keep things humming, but with only six shapes covered, the book feels all too brief. Illustrator Devernay combines delicate pencil line drawings and sketchy gray-black shading with tiny, meticulously cut colored-paper collage to create her plants and animals. The most intimate drawings amaze. Close-ups of smooth stones are so appealing that readers will long to pick one up and “rub a smooth OVAL between thumb and finger.” Sadly, the cover doesn’t do the interior justice, and things get murky when several hues mix there and on the final spread. But on other spreads, where there’s a single color, it pops against the gray, such as the minute yellow beaks on the flock of charcoal birds circling the yellow “CIRCLE” sun.
Don’t judge this book by its cover; there’s an unusual concept and whimsical illustrations hiding underneath . (Board book. 1-3)Pub Date: March 13, 2018
ISBN: 978-1-56846-317-9
Page Count: 14
Publisher: Creative Editions/Creative Company
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: July 1, 2018
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