OVER IN THE MEADOW

The animals, counting theme and catchy tune make this song a perennial favorite with readers and creators alike, but the illustrations are what make any version stand out from the crowd—and this one does. By changing a few animals and key words, McDonald encourages readers not just to count her menagerie but to experience their textures, as well, both in the words she uses and in her paper collages. “Over in the meadow in the reeds on the shore, / Lived a spiky mother muskrat / And her little muskrats four.” The mother muskrat is pictured leaping into the water, her individual paper spikes poking out from her body. Similarly treated are her bumpy toad, wooly sheep, smooth robin, fuzzy bee, furry mouse and hairy spider. Using painted papers in digital collage, the illustrator creates a quiltlike textured world for her animals, and many pages come complete with “stitches.” Unfortunately, however, a few of her textures fail to make the leap from the page—the crow is not really shiny, the lizard’s scales are painted on and "slippery" is a very difficult adjective to portray with paper. Backmatter includes a CD of the song (not heard), the sheet music for one verse, some facts about meadows and a short paragraph about each featured animal. Visually stunning if not always totally successful. (Picture book. 2-6)

Pub Date: April 1, 2011

ISBN: 978-1-84686-543-5

Page Count: 24

Publisher: Barefoot

Review Posted Online: April 13, 2011

Kirkus Reviews Issue: March 15, 2011

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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Who ya gonna call? A different snowplow book.

SCOOPER AND DUMPER

Friends don’t let friends expire in snowdrifts.

Convoluted storytelling and confusing art turn a cute premise into a mishmash of a book. Scooper’s a front loader that works in the town salt yard, replenishing the snowplows that arrive. Dumper’s her best friend, more than happy to plow and salt the roads himself. When the big city calls in Dumper to help with a snow squall, he brushes off Scooper’s concerns. Yet slippery roads and a seven-vehicle pileup launch poor Dumper onto his side in a snowbank. Can Scooper overcome fears that she’s too slow and save the day? Following a plot as succinct as this should be a breeze, but the rhyming text obfuscates more than it clarifies. Lines such as, “Dumper’s here— / let’s rock ’n’ roll! / Big city’s callin’ for / some small-town soul” can prove impenetrable. The art of the book matches this confusion, with light-blue Dumper often hard to pick out among other, similarly colored vehicles, particularly in the snowstorm. Speech bubbles, as when the city calls for Scooper’s and Dumper’s help, lead to a great deal of visual confusion. Scooper is also featured sporting long eyelashes and a bow, lest anyone mistake the dithering, frightened truck as anything but female. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 16.8% of actual size.)

Who ya gonna call? A different snowplow book. (Picture book. 3-6)

Pub Date: Nov. 17, 2020

ISBN: 978-1-5420-9268-5

Page Count: 40

Publisher: Two Lions

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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