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A DAY IN THE LIFE OF MARLON BUNDO

Good for a chuckle for adults who support LGBTQ rights, but those who want to share inclusive stories with children should...

In direct response to Charlotte Pence and Karen Pence’s anodyne Marlon Bundo’s A Day in the Life of the Vice President (2018), a lifted middle finger to Vice President Mike Pence’s homophobia.

Informing readers that “this story isn’t going to be about [the vice president], because he isn’t very fun,” black-and-white bunny Marlon Bundo relates the events of his Very Special Day, which really begins when he espies Wesley, a “bunny-beautiful” lop-eared, bespectacled brown rabbit, in the garden. (In Keller’s accompanying illustration, Wesley is depicted heroically from a low perspective, enhaloed in the sun’s golden rays.) They hop happily together through house and garden and then decide to marry, at which point The Stink Bug (bearing a head of recognizable white hair) appears on the scene to tell them that “Boy Bunnies Don’t Marry Boy Bunnies!” Marlon Bundo, Wesley, and their animal friends discuss their various differences and then vote The Stink Bug “not in charge.” Attended by “two handsome grooms-otters,” Marlon Bundo and Wesley are then married by a lesbian cat minister. Adult viewers of the satirical TV show Last Week Tonight with John Oliver, which is behind this stunt, will love it. However, even as it delivers its message, the story takes easy jabs at the format it’s delivered in, and the result is yet another tiresome political picture book that’s nominally for children but really winks at other adults over their heads. Proceeds go to the Trevor Project and AIDS United.

Good for a chuckle for adults who support LGBTQ rights, but those who want to share inclusive stories with children should look elsewhere. (Picture book. 3-7)

Pub Date: March 19, 2018

ISBN: 978-1-4521-7380-1

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 15, 2018

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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