by Jill Uris & Leon Uris ‧ RELEASE DATE: Oct. 2, 1981
Some atmospheric photographs by Mrs. Uris, but otherwise a disaster: uninformed, intemperate, chauvinistic, and altogether embarrassing. Not content with Jerusalem, lifts tries his hand at a splashy, impressionistic history of Israel, from Abraham to Teddy Kollek ("the greatest single person to have benefited Jerusalem since the days of the Bible"). But the results are unfortunate. Consider the following pronouncements: "Rameses II became Hitler in the bunker, a raving madman." (Lifts forgets for the moment that he doesn't believe in the literal truth of the Exodus story.) "Mosaic law . . . will never be improved upon." (Treatment of women?) Alexander the Great was "one of the glamor figures of all history." Jesus was "in his rookie year as a rabbi." (Uris the stylist.) "The main body of Jews rejected Mohammed's divinity." (As did the entire body of Muslims.) "Nothing resembling a democracy has existed or ever will exist in the Arab world. . . . The Arab world has contributed almost nothing in the way of advancement for the human race for a thousand years. Work is not an Arab ethic." (Uris as cultural historian.) One can understand Uris's intense partisan feelings for modern Israel, and one can pardon his careless scissors-and-paste approach to ancient Israel; but his mouthings here are just too much.
Pub Date: Oct. 2, 1981
ISBN: 0553249649
Page Count: 344
Publisher: Doubleday
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: Oct. 1, 1981
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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