Although the text lacks the heft of traditional folklore, the author/illustrator draws on his Peace Corps background to cook...
Yoyo’s mother says that no fair price for bitterleaf stew can be refused; to do so risks angering Brother Coin, the Great Spirit of the Market.
After rushing her preparations, the Cameroonian girl turns down a customer who offers ten-ten say-fah for her poor concoction (her mother says it’s fit only for the goats), instead of the usual fifty-fifty paid for Mama Cécile’s excellent stew. Their luck sours, and Yoyo decides that she must appease Brother Coin. When she does so, she witnesses a scary sight. The god, a caricature of a greedy man, refuses his blessing to a beseeching merchant and makes him disappear. Yoyo then uses her market bowl to make a perfect portion of bitterleaf stew. Brother Coin laps up the dish after making a hurried blessing only at the girl’s insistence. In a confusing ending, the Great Spirit says he still will not grant wishes, but gives Yoyo back her special bowl, used for collecting coins at their stall. The girl miraculously arrives at home, and mother and daughter now prosper due to Yoyo’s change of character. The slightly satiric edge of the images, combining deeply colored acrylic paintings with collage in Photoshop, creates a contemporary look for this original tale. Adapted recipe included.
Although the text lacks the heft of traditional folklore, the author/illustrator draws on his Peace Corps background to cook up a cautionary, but tasty look at life in Cameroon. (Picture book. 6-8)Pub Date: Feb. 1, 2013
ISBN: 978-1-58089-368-8
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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