by Jim Benton ; illustrated by Jim Benton ‧ RELEASE DATE: Sept. 15, 2020
Not one to stop for despite the appeal of the cartoony art style.
An intrepid member of Santa’s team saves Christmas.
When weary elves get into a fight just before Christmas Eve, Comet the reindeer steps in to break up the fisticuffs and is injured. The rhyming text describes how the doctor tells him he needs to rest and can’t help pull Santa’s sleigh that night, and then it reads, “Comet watched Santa get ready. / (His spot had been filled by / a rookie named Freddy.)” The singsong cadence and goofy phrasing of these lines is representative of the text as a whole, which goes on to reveal that Santa forgets to bring his bag filled with toys on the journey. No one notices this oversight since Freddy keeps them all entertained with silly songs. Injured Comet decides he must deliver the toys himself, and a comical sequence shows him struggling to lift an enormous bag onto his shoulders before giving up. Then he reads a tear-jerker of a letter to Santa from a selfless child, which inspires him to persist. He flies around the world in search of this child’s home, delivering toys until he finally finds the house he’s searching for in Oahu. At this point Santa calls “full of thanks-yous and praise, / so quick-thinking Comet / mentioned getting a raise,” an attempt at wit that both undercuts the message of selflessness and aims over the heads of most child readers. Santa presents White, and his elf employees are diverse.
Not one to stop for despite the appeal of the cartoony art style. (Picture book. 4-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-5420-4347-2
Page Count: 40
Publisher: Two Lions
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton & Leo Trinidad
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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